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Anselmo Laguna

Anselmo Laguna is a Tango written by Vicente Salerno and recorded by Ricardo Tanturi in 1945. The Tango Anselmo Laguna is written by Vicente Salerno, Ricardo Tanturi has recorded Anselmo Laguna with the singer Enrique Campos.
“Anselmo Laguna,” translated into English as “Anselm Lagoon,” evokes an image where a serene expanse meets the mystery of twilight. Anselmo suggests strength and wisdom, reminiscent of an aged philosopher contemplating life’s cycles. The lagoon signifies depth and stillness, a mirror reflecting not just the stars above, but the soul’s deepest secrets, entwining nature with emotion.

Tango

Style

Ricardo Tanturi

Orchestra

Enrique Campos

Singer

Marvil

Author

Vicente Salerno

Composer

1945/6/14

Date

Enrique Campos
Enrique Campos
Ricardo Tanturi
Ricardo Tanturi

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Anselmo Laguna recorded by other Orchestras

Anselmo Laguna recorded by other Orchestras

Lyrics Translation of the Tango Anselmo Laguna

This is the translation of the Tango “Anselmo Laguna” from Spanish to English. The English lyrics of the Tango “Anselmo Laguna” have been done with AI.

Letra del Tango Anselmo Laguna

Me llamo Anselmo Laguna
y voy en pos de mi sueño,
si me acompaña la luna
por esas cortadas
de tantos recuerdos.
Me llamo Anselmo Laguna
y llevo en el corazón
un ansia que se desata,
me espera mi ñata
juntito al portón.

Si ya no salgo ni juego,
ni fumo, ni bebo,
por ella y su amor.
Ni sé lo qué es un domingo
de sol y de pingos,
ni sé donde voy.
Si hasta la gente me mira
con cara de asombro, ni puede creer,
que aquel muchacho alocado
esté tan cambiado por una mujer.

Me llamo Anselmo Laguna,
ella está en mi corazón.

English lyrics of the Tango "Anselmo Laguna"

My name is Anselmo Laguna
and I’m chasing my dream,
with the moon as my companion
through these gorges
filled with so many memories.
My name is Anselmo Laguna
and in my heart I carry
a longing that breaks free;
my sweetheart waits for me
beside the gate.

If I no longer go out or play,
nor smoke, nor drink,
for her and her love.
Nor do I know what a sunny Sunday
with horse races is,
nor do I know where I’m going.
Even people look at me
with a face of astonishment, unable to believe,
that such a wild young man
has changed so much because of a woman.

My name is Anselmo Laguna,
she dwells in my heart.

Anselmo Laguna by Marvil

Anselmo Laguna is a Tango written by Marvil and composed by Vicente Salerno.



Story behind the Tango Anselmo Laguna

The lyrics of “Anselmo Laguna” narrate the introspective journey of a man deeply transformed by love. Anselmo Laguna, the protagonist, introduces himself by name and immediately links his identity to a dream he is pursuing, under the watchful eyes of the moon. This pursuit leads him down memory-laden pathways, reflecting a longing rooted deep within his heart. The essence of his yearning is encapsulated in his anticipation to reunite with his beloved, referred to affectionately as “mi ñata,” who waits for him by the gate. This poignant portrayal highlights a man who has relinquished his past habits and frivolities—gambling, smoking, drinking—for the sake of love, undergoing a profound personal reformation that even surprises his acquaintances. This transformation from a carefree youth to a devoted lover marks the core of Anselmo Laguna’s journey.



Symbolism of Anselmo Laguna

The moon in “Anselmo Laguna” serves as a guiding light in Anselmo’s nocturnal reflections, illuminating the path through his past, signifying a blend of guidance and mystery. The “cortadas” or pathways, filled with memories, symbolize life’s complex journey that shapes his current emotional state and outlook. The repeated declaration of his name, “Me llamo Anselmo Laguna,” emphasizes a reaffirmation of his identity now reshaped by love. The transformation he describes indicates a shedding of his former self in exchange for a life dedicated to his love, marking a rebirth or awakening governed by affection and commitment.



Anselmo Laguna in historic Context

“Anselmo Laguna” was conceptualized in 1945, a period characterized by significant political and social changes globally as well as in Argentina. Amidst this backdrop, the tango could be interpreted as a reflection on personal change and finding solace in love in times of uncertainty. The choice of personal transformation over external pleasures might resonate with the broader societal shifts towards more stable, internal satisfactions following the tumult of the Second World War. The cultural emphasis on personal and romantic dedication depicted through Anselmo’s changes might have served as an allegory for larger societal hopes for renewal and stability post-war.



Marvil

Marvil, whose real name is not widely documented, was a lyricist whose work captured the deep emotional currents and dramatic narratives characteristic of classic Argentine tango culture.