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A la criolla

A la criolla is a Tango written by Francisco García Jiménez and recorded by Alfredo De Angelis in 1961. Alfredo De Angelis has recorded A la criolla as an instrumental Tango.
“A la criolla,” meaning “In the Creole Style,” captures the vibrant essence of cultural fusion. This piece of music interweaves the rich traditions of diverse influences, blending indigenous, African, and European elements into a harmonious tapestry. Its rhythms and melodies evoke a spirited dance of history, where each note tells a story of resilience and unity.

Tango

Style

Alfredo De Angelis

Orchestra

Instrumental

Singer

Anselmo Aieta

Author

Francisco García Jiménez

Composer

1961/8/15

Date

Instrumental
Instrumental
Alfredo De Angelis
Alfredo De Angelis

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1961/8/15 – Flores negras – Alfredo De Angelis
1961/8/18 – A Homero – Anibal Troilo
1961/8/18 – Melancolico – Anibal Troilo
1961/8/18 – Nocturna – Anibal Troilo
1961/8/11 – El preso n°9 – Enrique Rodriguez

A la criolla recorded by Alfredo De Angelis


A la criolla is an instrumental Tango composed by Francisco García Jiménez.



Interpretation of A la criolla

“A la criolla” translates to “In the Creole Style” in English, evoking a sense of cultural fusion and local flavor. As an instrumental piece by the Tango Orchestra led by Alfredo De Angelis, it likely embodies the essence of Argentinian and Latin American musical influences. The composition’s title suggests a blending of traditional local melodies with a hint of European influence, capturing a vibrant snapshot of the diverse cultural landscape that characterizes the tango genre. The music might use rhythmic expressions and dynamic swings to paint a lively picture of creole heritage, enticing listeners with its rich textures and exuberant energy.



Alfredo De Angelis and A la criolla

Tango Orchestra Alfredo De Angelis, renowned for its elegance and rhythmic precision, brings “A la criolla” to life with its signature style. Known for gracefully intertwining danceable beats with emotive melodies, De Angelis’s orchestra creates a unique interpretation of this work by Jiménez. Their version of “A la criolla” may be characterized by lush instrumental arrangements, where the bandoneón and violins lead a heartfelt, rhythmic dialogue to celebrate the creole culture through tango rhythms. This recording, made on August 15, 1961, adds yet another significant piece to De Angelis’s illustrious catalog, leaving a lasting cultural imprint on the world of tango.