Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Virgen de la serrania is a Tango written by Alberto Cosentino and composed by Osvaldo Donato.
The lyrics of “Virgen de la serrania” tell the emotional story of love and separation, set in the rugged landscapes of Argentina’s mountain regions. It paints a picture of a persona deeply longing for their significant other who has left their small town (possibly due to economic or personal reasons) causing profound grief and unfulfilled love. The reference to the Virgin (“Virgencita”) reflects seeking divine intervention to alleviate their immense emotional torment.
The title “Virgen de la serrania” translates to “Virgin of the Mountain Range” in English, a symbolic protector of the people in the mountainous regions. The Virgen is portrayed as a figure of solace and a witness to the supplicant’s despair, reinforcing the cultural depiction of the Virgin Mary as a compassionate intercessor in times of hardship. The use of “paloma” (dove) symbolizes innocence and purity, highlighting the persona’s genuine and heartfelt plea.
The tango was created during the mid-20th century, a period when Argentina saw significant rural to urban migration, often due to socio-economic pressures. Buenos Aires was a principal destination for many seeking better opportunities. This historical backdrop deepens the narrative, explaining the persona’s migration to Buenos Aires in pursuit of their lover, reflecting broader themes of displacement and the search for personal fulfillment amidst societal changes.
Alberto Cosentino was an accomplished Argentinian lyricist known for collaborating on numerous tangos that captured the essence of Argentine culture and sentiments.