Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Viejo rincón is a Tango written by Roberto Lino Cayol and composed by Raúl de los Hoyos.
“Viejo rincón,” or “Old Corner,” lyrically revisits the nostalgic and bittersweet memories of the narrator’s past, set in the milieu of his youth where the origins of his tango and love experiences reside. The lyrics tell a tale of love and betrayal, where the “Viejo rincón” symbolizes not only a physical location but also a pivotal chapter in the narrator’s life. These places, once teeming with life, now echo a loss – the loss of his beloved mother, his crumbling home, and the decay of his youthful optimism and trust in love.
The recurring motifs of “Viejo rincón,” like the “garçonniere de lata” and the “bulín mistongo,” symbolize temporal shelters of love and desire that inevitably turn into sites of betrayal and ruin. These settings within the tango not only contextualize the romantic encounters but also the transient and often illusionary nature of such passions. The juxtaposition of tango, a dance, with life and betrayal, reveals how intimately dance, music, and rhythm are woven into the personal histories and cultural identity of the individuals in this narrative.
The Tango was recorded on December 5, 1930, a time when Argentina was grappling with the effects of the Great Depression. This period saw a surge in the nostalgia-driven themes in tango lyrics, reflecting society’s sentiment of loss and longing for better days. These sentiments are palpably expressed in “Viejo rincón,” where historical economic hardships resonate through personal losses and societal decay.
Roberto Lino Cayol was a prolific Argentine lyricist known for his deep and evocative Tango lyrics, capturing the complex emotions and human conditions of his time.