Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Viejo coche is a Tango written by Celedonio Flores and composed by Eduardo Pereyra.
The tango “Viejo coche” translates to “Old Coach” and refers to both a physical carriage and metaphorically to the passage of the narrator’s life. Set in the streets of Buenos Aires, it reflects on nostalgia, past experiences, and the inevitable changes with time. The narrator reminisces about the days of youth, reckless adventures, and moments of both joy and sorrow. The reference to “Palermo,” a notable neighborhood in Buenos Aires, situates us within a distinct urban and cultural milieu.
Symbolism in “Viejo coche” manifests through the journey of the carriage, mirroring the journey of life. The transition from new and shiny to old and used parallels human aging and the wear from life’s trials. The carriage, a spectator and participant in the narrator’s life stories, represents resilience amidst change. Sentences like “es como también rodé yo!” (as I rolled on too) highlight the shared fate between the man and his carriage, emphasizing the universal human experience of growth and decay.
Written during World War II in 1942, “Viejo coche” resonates with a period defined by profound change and uncertainty, both globally and in Argentina. During this era, Buenos Aires was a bustling hub of activity that felt the economic and social ripple effects of the global conflict. The lyrics capture a snapshot of Argentine cultural identity, marked by melancholy, resilience, and a deep connection to personal and collective histories, all of which were poignant during a time of global upheaval.
A prominent figure in the world of tango, Celedonio Flores is known for his poignant and impactful lyrics that often delve into the social landscapes and human emotions of early 20th-century Argentina.