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Tomo y obligo

Tomo y obligo is a Tango written by Carlos Gardel and recorded by Carlos Gardel in 1931. The Tango Tomo y obligo is written by Carlos Gardel, Carlos Gardel has recorded Tomo y obligo with the singer Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas.
“Tomo y obligo,” translated to English as “I drink and I compel,” is a tango that immerses you in the depths of longing and resolve. The title itself speaks to a moment of intense introspection, where the act of drinking becomes both a solace and a silent command to face one’s emotions. It captures the essence of surrendering to passion while simultaneously striving for strength against the tide of heartache.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas

Singer

Manuel Romero

Author

Carlos Gardel

Composer

1931/9/28

Date

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas
Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas
Carlos Gardel
Carlos Gardel

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Tomo y obligo recorded by other Orchestras

Tomo y obligo recorded by other Orchestras

Lyrics Translation of the Tango Tomo y obligo

This is the translation of the Tango “Tomo y obligo” from Spanish to English. The English lyrics of the Tango “Tomo y obligo” have been done with AI.

Letra del Tango Tomo y obligo

Tomo y obligo, mándese un trago,

que hoy necesito el recuerdo matar;

sin un amigo lejos del pago

quiero en su pecho mi pena volcar.

Beba conmigo, y si se empaña

de vez en cuando mi voz al cantar,

no es que la llore porque me engaña,

yo sé que un hombre no debe llorar.



Si los pastos conversaran, esta pampa le diría

de qué modo la quería, con qué fiebre la adoré.

Cuántas veces de rodillas, tembloroso, yo me he hincado

bajo el árbol deshojado donde un día la besé.

Y hoy al verla envilecida y a otros brazos entregada,

fue para mí una puñalada y de celos me cegué,

y le juro, todavía no consigo convencerme

como pude contenerme y ahí nomás no la maté.



Tomo y obligo, mándese un trago;

de las mujeres mejor no hay que hablar,

todas, amigo, dan muy mal pago

y hoy mi experiencia lo puede afirmar.

Siga un consejo, no se enamore

y si una vuelta le toca hocicar,

fuerza, canejo, sufra y no llore

que un hombre macho no debe llorar.

English lyrics of the Tango "Tomo y obligo"

I drink to put out the fire, let’s have a drink,
for today I need to kill these memories;
far from home, without a friend,
I want to pour out my sorrow on your shoulder.

Drink with me, and if occasionally
my voice breaks as I sing,
it’s not because I cry for her deceit,
I know a man should not cry.

If the fields could talk, this plain would tell
how dearly I loved her, how fervently I adored her.
Many times, trembling, I’ve knelt
beneath the leafless tree where I once kissed her.
And now, seeing her debased, in another’s arms,
was like a stab to me, and I was blinded by jealousy,
and I swear, I still can’t convince myself
how I managed to hold back and not kill her there and then.

I drink to put out the fire, let’s have a drink;
it’s better not to speak of women,
all of them, my friend, pay back poorly,
and today my experience can confirm it.
Take a piece of advice, don’t fall in love,
and if someday you fall face-first,
be strong, damn it, suffer but do not cry,
for a real man should not cry.

Tomo y obligo by Manuel Romero

Tomo y obligo is a Tango written by Manuel Romero and composed by Carlos Gardel.



Story behind the Tango Tomo y obligo

The lyrics of “Tomo y obligo” depict a scene of sorrow and bitter nostalgia, where a man implores a friend or a stranger to drink with him to drown his sorrows. The protagonist, distanced from his homeland (“lejos del pago”), feels the urge to express his pain and betrayal experienced through his emotional attachment to a woman who deceived him. The narrative unfolds through a conversational style, where the man recounts his despair and the profound impact of his unfaithful love. The Tango encapsulates a communal coping mechanism through shared drinks and stories, serving as a cathartic expression of pain and resilience.



Symbolism of Tomo y obligo

“Tomo y obligo” translates to “I drink and insist,” a phrase embodying both the act of drinking and the insistence on companionship in drowning sorrow. The repeated references to drinking as a way to forget a painful past suggest an escape from reality, albeit temporary. Symbolically, the drink represents both the attempt to erase memories and the bitter taste of betrayal. Key phrases like “sin un amigo lejos del pago” (without a friend far from home) and “yo sé que un hombre no debe llorar” (I know that a man must not cry) reflect the themes of solitude and societal expectations of masculinity where showing emotional vulnerability is often stigmatized.



Tomo y obligo in historic Context

Set in Argentina in the early 20th century, a period marked by social and political changes, “Tomo y obligo” as a piece of Tango music, manifests the urban melancholy and the passionate culture prevalent during this era. The lyrics reflect the traditional Argentine value of machismo, where men are expected to handle emotional distress stoically and without tears. The historical backdrop of economic shifts and the increasing influence of European immigrant cultures in Argentina also contribute to the complexity of the protagonist’s emotions, illustrating a narrative deeply intertwined with the cultural fabric of Buenos Aires during the 1930s.



Manuel Romero

Manuel Romero was a prolific Argentine filmmaker and lyricist, known for his significant contributions to the national cinema and music scene during the early to mid-20th century.