Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tango y copas (Otro tango) is a Tango written by Carlos Bahr and composed by Héctor Artola.
The lyrics of “Tango y copas (Otro tango)” speak of a deep nostalgic feeling stirred by the tune of a tango and the voice of a bandoneon. The poignant memories of past love are evoked through the interplay of music and emotion, underscored by the rhythmic clink of glasses in a somber toast to what once was. The presence of ‘another tango’ and ‘another drink’ symbolizes a repetitive cycle of longing and memory, each element enhancing the other, spiraling the narrator into deeper reflections on love lost.
Symbolism in this tango emerges through the repeated invocation of tangos and drinks—each feeding into the other’s call, depicting a cyclic tug of heartache and remembrance. Phrases like “bandoneón de voz amarga” and “se me arruga el corazón” poignantly embellish the experience with emotional and sensory images, portraying the bandoneon’s music as bitter-sounding and the heart as physically crumpling under emotional weight. These symbolisms vividly render the deep-seated sorrow and nostalgia that pervades the persona’s longing.
Recorded in 1943, amidst a global atmosphere of uncertainty during World War II, “Tango y copas (Otro tango)” resonates with an air of melancholy and reflection that could reflect wider societal sentiments of the time. The cultural backdrop of Argentina, known for its rich tango heritage, provides a fertile ground for such an expressive form of the musical outpouring, intertwining personal loss with a collective sense of nostalgia prevalent during tumultuous times.
Carlos Bahr was a prolific Argentine lyricist known for his deep and evocative tango compositions. His works often explore themes of love, loss, and nostalgia, resonating strongly with the Argentine soul.