Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Sos bueno vos también is a Tango written by Juan Andrés Caruso and composed by Francisco Canaro.
The lyrics of “Sos bueno vos también” dive deep into a narrative where the speaker addresses another person, referred to with phrases like “pirata” and “alacrán,” both of which have potentially negative connotations. The story paints a vivid picture of a person who sits idly, criticizing others while oblivious to his own faults. This individual, portrayed with a lack of self-awareness and indulgence in gossip, fails to realize his own shortcomings even as he disparages his acquaintances. The lyrics revolve around self-reflection, hypocrisy, and the dichotomy between appearance and reality.
The lyric “condesa que te arrancaron verde, con esa cara feliz de zanahoria” uses the imagery of being “green” and having a “carrot-like happy face” to symbolize naivety and foolish contentment in ignorance. Furthermore, calling someone a “pirata” (pirate) and “alacrán” (scorpion) implies deceit and stinginess, respectively, painting a character trait that is not to be admired. Another notable phrase, “siempre al mal tiempo ponerle buena cara,” advises always presenting a good face during bad times, which implies resilience and optimism, contrasting sharply with the subject’s current behavior. Lastly, “la dicha de un ‘beguén'” suggests a joyful, content state that the person in question is unable to achieve due to his attitudes and behaviors.
“Sos bueno vos también” was released in 1950, a period when Argentina was undergoing significant social and political changes, post-World War II, under President Juan Perón. During this era, societal norms and values were prominently discussed and often challenged. The song reflects a societal commentary on personal integrity and public demeanor. This tango, through its critical tone, could be interpreted as a reflection on the Argentine society’s struggle with the disparity between superficial appearances versus genuine virtues.
Juan Andrés Caruso was a prolific Argentine lyricist and playwright, renowned for his contributions to the Golden Age of Argentine Tango.