Fabrice Knecht Tango DJ

Raza Criolla (El Taita)

Raza Criolla (El Taita) is a Tango written by Salvador Grupillo and recorded by Ricardo Tanturi in 1944. Ricardo Tanturi has recorded Raza Criolla (El Taita) as an instrumental Tango.
“Raza Criolla (The Creole Race) whispers through time, a homage to the vibrant cultural tapestry woven in Latin America. ‘Raza Criolla’ evokes a blend of indigenous, African, and European heritages, dancing together in harmony. ‘El Taita’ personifies the wise elder or patriarch, guiding with stories and rhythms rooted in shared, diverse histories.”

Tango

Style

Ricardo Tanturi

Orchestra

Instrumental

Singer

Author

Salvador Grupillo

Composer

1944/12/13

Date

Instrumental
Instrumental
Ricardo Tanturi
Ricardo Tanturi

Discover Other Orchestras

Cuarteto Aníbal TROILO – Sobre el pucho (Un callejón en Pompeya) – 1968/9/11
Cuarteto Aníbal TROILO – A Pedro Maffia – 1968/9/11
Cuarteto Aníbal TROILO – La trampera – 1969/7/30
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Miguel Caló – Yuyo verde – 1966/9/20
Miguel Caló – El divorcio – 1950/6/6
Miguel Caló – Oyeme – 1947/10/22
Miguel Caló – Luna del viejo castillo – 1964/4/14
Miguel Caló – Es una santa mama – 1935/6/10
Carlos di Sarli – La guitarrita – 1928/11/26
Carlos di Sarli – TBC – 1928/11/26
Carlos di Sarli – La cachila – 1952/6/10
Carlos di Sarli – Bar Exposición – 1954/11/16
Carlos di Sarli – Nueve puntos – 1952/4/8
Cuarteto Típico Roberto Firpo – Pálida sombra – 1937/3/27
Cuarteto Típico Roberto Firpo – Tus ojos me embelesan – 1937/12/23
Cuarteto Típico Roberto Firpo – Don Enrique – 1937/5/21
Cuarteto Típico Roberto Firpo – Gran muñeca – 1941/1/8
Cuarteto Típico Roberto Firpo – El esquinazo – 1939/3/3

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Raza Criolla (El Taita) recorded by other Orchestras

Raza Criolla (El Taita) recorded by other Orchestras

1944/12/13 – Igual que un bandoneon – Ricardo Tanturi
1944/12/14 – La de los ojos tristes – Miguel Calo
1944/12/14 – Mi natai – Miguel Calo
1944/12/15 – Seamos amigos – Juan D-Arienzo
1944/12/15 – Oro de ley – Juan D-Arienzo
Raza Criolla (El Taita) – 1945/1/25 – Osvaldo Pugliese – Instrumental
Raza Criolla (El Taita) – 1944/12/13 – Ricardo Tanturi – Instrumental
Raza Criolla (El Taita) – 1956/9/17 – Jose Basso – Instrumental
Raza Criolla (El Taita) – 1928/6/13 – Julio De Caro – Instrumental

Raza Criolla (El Taita) recorded by Ricardo Tanturi


Raza Criolla (El Taita) is an instrumental Tango composed by Salvador Grupillo.



Interpretation of Raza Criolla (El Taita)


“Raza Criolla (El Taita)” translates to “Creole Race (The Father)” in English. This compelling title evokes images of identity, heritage, and respect for traditions. As an instrumental tango performed by the esteemed Ricardo Tanturi orchestra, the piece likely embodies the spirit and passion of Argentine culture. The term “Raza Criolla” suggests a celebration of native land and roots, bringing to life through music the deep emotional connections to one’s lineage and traditions.



The music, flowing with lively rhythms and soulful melodies, paints a vivid auditory picture of the tango dance itself – a dance that navigates the tension between the past’s storied traditions and the evolving present. The “El Taita” element, translating to “The Father” or a figure of authority, could symbolize guiding influence and wisdom passed down through generations, enriching the performance with layers of profound respect and admiration.



Ricardo Tanturi and Raza Criolla (El Taita)


Ricardo Tanturi, renowned for his contributions to the golden age of tango, brings “Raza Criolla (El Taita)” to life with his orchestra’s signature flair. Tanturi’s orchestra was known for its ability to blend technical precision with heartfelt expression, creating an emotional texture that speaks directly to the audience. His rendition of “Raza Criolla (El Taita)” would likely balance rhythmic vigor with emotive phrasing, honoring the composed by Salvador Grupillo while imprinting Tanturi’s unique stylistic touch.



The orchestral arrangement would highlight melodic interplays between the bandoneón and violins, crafting a rich tapestry of sound that dances between moments of passionate fervor and reverent introspection. Ricardo Tanturi’s interpretation invites listeners to reflect not only on the historical and cultural connotations of the title but also on the timeless essence of tango itself, transporting them to a world where music and cultural identity walk hand in hand.