Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Por favor, no vuelvas is a Tango written by Raúl Hormaza and composed by Jorge Valdez.
The lyrics of “Por favor, no vuelvas” unfold a narrative of heartbreak and rejection. The speaker narrates the painful experience of being abandoned for three months, filled with agony and despair, questioning the value of living. Upon the return of the beloved, the speaker rejects reconciliation, expressing a transformation from deep love to resentment. The portrayal of deep emotional turmoil and the shift in the speaker’s response to their beloved’s return captures the profound impact of abandonment.
The song utilizes profound symbolism to enhance the emotional weight of its message. The three months of separation symbolize a prolonged period of suffering and solitude, emphasizing the depth of the speaker’s despair. The heart, as a central symbol, represents the locus of pain, intimately tied to the speaker’s emotional state. Phrases like “No me cuentes nada” and the repeated appeals to not return underline a narrative of finality and irrevocable emotional damage, symbolizing a point of no return in the relationship.
Recorded in 1961, “Por favor, no vuelvas” emerged during a period in Argentina characterized by social and political unrest. The tango, as a genre, often mirrored the societal mood, expressing themes of despair, loss, and longing that resonated with many during such turbulent times. The personal rejection and sorrow expressed in the song might also subtly reflect the broader societal desire for change and disillusionment with the status quo, capturing a poignant moment in Argentina’s complex history.
Raúl Hormaza was an influential figure in Argentine Tango, known for his emotive lyrics and deep engagement with themes of love and loss.