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Pituca

Pituca is a Tango written by Enrique Cadícamo and recorded by Carlos Gardel in 1930. The Tango Pituca is written by Enrique Cadícamo, Carlos Gardel has recorded Pituca with the singer Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol.
“Pituca,” translated as “Posh” in English, evokes an air of elegance and sophistication that dances through the melody like a finely choreographed tango. This piece of music captures the essence of an evening where glamour and charm hold sway, each note serving as a brushstroke painting a portrait of high society. The rhythm tells a story of graceful movements and whispered secrets, a celebration of life’s refined moments.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol

Singer

Rogelio Ferreyra

Author

Enrique Cadícamo

Composer

1930/12/1

Date

Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Guit. Guillermo Barbieri, José María Aguilar, Ángel Domingo Riverol
Carlos Gardel
Carlos Gardel

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Pituca recorded by other Orchestras

Pituca recorded by other Orchestras

Lyrics Translation of the Tango Pituca

This is the translation of the Tango “Pituca” from Spanish to English. The English lyrics of the Tango “Pituca” have been done with AI.

Letra del Tango Pituca

Niña bien de apellido con ritornello

que tenés ‘senza grupo’ figuración

que parecés por todo tu ‘ventichelo’

la sucursal del banco de la Nación.

Que estás comprometida con Albertito

un elegante yachtman del Tigre Club

que tiene un par de anchoas por bigotito

y pa’ batir ‘araca’, dice ‘mondiú’.



Che, Pituca…

Quien tuviera la alegría

de tener una alcancía

como la de tu papá.

Y un anillo

con la piedra incandescente

de esos que usa indiferente

pa’ entre casa tu mamá.

Che, Pituca…

No derroches los canarios

que a tu viejo el millonario

lo voy a ver al final

con la bandera a media asta

cuidando coches a ‘nasta’

en alguna diagonal.



Tenés un galgo ruso que no es pa’ liebre

y se pasa una vida fenomenal

te juro que al pensarlo me cacha fiebre

y ¡qué lindo sería ser animal!

Así de gusto en gusto llena de plata

vos encontrás la vida color salmón

pero yo que soy pobre como una rata

la campaneo sin grupo color carbón.

English lyrics of the Tango "Pituca"

Well-bred girl with a ritornello surname,

who stands out ‘senza group’ for show

seeming with all your ‘ventichelo’

like a branch of the National Bank.

You’re engaged to Albertito,

an elegant yachtman from the Tigre Club

who sports a couple of anchovies for a mustache

and says ‘mon dieu’ when he wants to exclaim ‘wow’.

Hey, Pituca…

If only I had the joy

of having a piggy bank

like your dad’s.

And a ring

with a blazing stone

the kind your mom wears casually at home.

Hey, Pituca…

Don’t squander the goldfinches

for I’ll see your millionaire father eventually

with the flag at half-mast

guarding cars for change

on some diagonal street.

You have a Russian greyhound that’s not for chasing hares

and it lives a phenomenal life;

I swear thinking about it gives me a fever,

and how lovely it would be to be an animal!

Thus, with each desired luxury filled with money,

you find life salmon-colored;

but I, poor as a rat,

face it without any group, in coal color.

Pituca by Rogelio Ferreyra

Pituca is a Tango written by Rogelio Ferreyra and composed by Enrique Cadícamo.



Story behind the Tango Pituca

The lyrics of “Pituca” paint a vivid picture of Buenos Aires high society in the early 20th century. The song is a satirical portrayal of a young, wealthy woman, commonly referred to as a ‘niña bien’—a term indicating someone from a rich and influential family. The central themes revolve around wealth disparity and superficial lifestyles. Through engaging storytelling, Ferreyra contrasts the life of luxury with the challenges of the less fortunate, emphasizing the emptiness beneath the glittering surface of wealth.



Symbolism of Pituca

“Pituca” is steeped in symbolism. The reference to the woman’s family having a “branch of the Nation’s bank” symbolizes deep wealth and connection to power. The humorous description of Albertito’s mustache as ‘a pair of anchovies’ and his borrowings of French slang underline a critique of affected sophistication amongst the elite. The mention of “animal” in later stanzas is metaphorical—highlighting the envy of those who, despite being ‘lower’ in social hierarchy, live a carefree life, free of societal pressures and expectations.



Pituca in historic Context

Recorded in 1930, “Pituca” emerged during a tumultuous period in Argentine history marked by political instability and a growing gap between the wealthy and the poor. Buenos Aires, the epicenter of Argentine culture and society, was a city of stark contrasts, with opulent neighborhoods existing alongside impoverished areas. The lyrics subtly criticize the societal norms and values of the time, reflecting the growing discontent among the population. This tango, with its critical yet playful tone, resonated with many who felt disenfranchised or out of place in the rapidly changing society of Argentina.



Rogelio Ferreyra

Rogelio Ferreyra was a renowned Argentine lyricist known for his poignant and often satirical texts set to tango music.