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Pecado

Pecado is a Tango written by Enrique Francini and recorded by Francini-Pontier in 1952. Francini-Pontier has recorded Pecado as an instrumental Tango.
“Pecado,” which translates to “Sin” in English, captures the intoxicating allure of forbidden desires. This piece of music, perhaps a Tango, weaves a mesmerizing tale of temptation and vulnerability, where each note dances with danger and longing. The haunting melody invites listeners to explore the seductive pull of transgression, echoing the universal struggle between passion and conscience.

Tango

Style

Francini-Pontier

Orchestra

Instrumental

Singer

Carlos Bahr

Author

Enrique Francini

Composer

1952/2/20

Date

Instrumental
Instrumental
Francini-Pontier
Francini-Pontier

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Letra del Tango Pecado

Yo no sé si es prohibido,

si no tiene perdón,

si me lleva al abismo,

sólo se que es amor.



Yo no sé si este amor es pecado que tiene castigo,

si es faltar a las leyes honradas del hombre y de Dios.

Sólo sé que me aturde la vida como un torbellino,

que me arrastra y me arrastra a tus brazos en ciega pasión.



Es más fuerte que yo que mi vida, mi credo y mi sino,

es más fuerte que todo el respeto y el temor a Dios.

Aunque sea pecado te quiero, te quiero lo mismo

aunque todo me niegue el derecho me aferro a este amor.

English lyrics of the Tango "Pecado"

I don’t know if it’s forbidden,

if it’s unforgivable,

if it leads me to the abyss,

all I know is it’s love.

I don’t know if this love is a sin that is punished,

if it breaks the honest laws of man and God.

All I know is it dizzies me like a whirlwind,

dragging me relentlessly into your arms in blind passion.

It’s stronger than me, my life, my creed, and my fate,

stronger than all respect and the fear of God.

Even if it’s a sin, I love you, I love you just the same,

even if everything denies me the right, I cling to this love.

Pecado by Carlos Bahr

Pecado is a Tango written by Carlos Bahr and composed by Enrique Francini.


Story behind the Tango Pecado

The lyrics of “Pecado” delve into a tormented inner dialogue of someone trapped in a forbidden love. The lines oscillate between guilt, passion, and defiance, reflecting a deep emotional struggle. The narrator questions if their love is forbidden, without forgiveness, and leads to ruin, yet concludes with its overpowering nature. “Pecado”, translating to “Sin” in English, reveals the thematic crux of the piece, based on the transgressive nature of a love that challenges societal or divine laws.


Symbolism of Pecado

Carlos Bahr uses vivid metaphors and contrasts to heighten the emotional intensity of the tango. Phrases like “me aturde la vida como un torbellino” (life stuns me like a whirlwind) symbolize the chaotic, overwhelming force of forbidden passion. This whirlwind is indifferent to social or religious rules, suggesting a compulsive, uncontrollable nature of true feelings that defy conventional morality. The recurring references to God and sin position the love as transcendentally potent yet spiritually perilous.


Pecado in historic Context

Argentinian society in the early 1950s was deeply traditional and religious, reflecting strict norms governing personal and social behavior. The tango was created in 1952 by Carlos Bahr and Enrique Francini in this conservative framework, which makes the central theme of forbidden love particularly provocative. “Pecado” reflects a tension between emerging personal freedoms and established societal rules, capturing a period of cultural and emotional negotiation.


Carlos Bahr

Carlos Bahr was a prolific Argentine lyricist known for his rich contributions to the genre of tango, marked by deep emotional and thematic complexity.