Fabrice Knecht Tango DJ

Mirame a mi

Mirame a mi is a Tango written by Francisco Pracánico and recorded by Orquesta Típica Victor in 1933. The Tango Mirame a mi is written by Francisco Pracánico, Orquesta Típica Victor has recorded Mirame a mi with the singer Alberto Gómez.
“Mirame a mi,” meaning “Look at Me” in English, is a powerful call for recognition and presence. It invites us to pause and truly see the vulnerability and strength within ourselves and others. This title speaks to the universal longing for connection and understanding, urging us to look beyond the surface and embrace the depths of human emotion.

Tango

Style

Orquesta Típica Victor

Orchestra

Alberto Gómez

Singer

Luis Rubistein

Author

Francisco Pracánico

Composer

1933/4/7

Date

Alberto Gómez
Alberto Gómez
Orquesta Típica Victor
Orquesta Típica Victor

Discover Other Orchestras

Osvaldo Fresedo – Madrigal criollo – 1928/7/10
Osvaldo Fresedo – Piedad – 1928/10/9
Osvaldo Fresedo – Divina – 1953/12/23
Osvaldo Fresedo – Divagando – 1939/8/18
Osvaldo Fresedo – Tanita de la proa – 1927/5/10
Pedro Laurenz – Amurado – (unknown date)
Pedro Laurenz – Abandono (Amarguras) – 1937/9/24
Pedro Laurenz – Pato – 1926/11/24
Pedro Laurenz – Amurado – 1947/1/16
Pedro Laurenz – Nunca tuvo novio – 1943/4/16
Horacio Salgán Y Dante Amicarelli – Las hojas muertas (Les feuilles mortes) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Amarraditos – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – En bateau – 1970/1/1
Osmar Maderna – Loca bohemia – 1947/3/28
Osmar Maderna – Chiqué – 1946/1/1
Osmar Maderna – Rebeldía – 1947/1/9
Osmar Maderna – Pastora – 1948/4/5
Osmar Maderna – Al compás de tu mentira – 1950/2/2

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1933/4/7 – Amor cobarde – Orquesta Tipica Victor
1933/4/10 – Vidalita – Roberto Firpo
1933/4/11 – Mia – Adolfo Carabelli
1933/3/29 – Flor de oriente – Roberto Firpo
1933/3/29 – No me mientas – Roberto Firpo

Lyrics Translation of the Tango Mirame a mi

This is the translation of the Tango “Mirame a mi” from Spanish to English. The English lyrics of the Tango “Mirame a mi” have been done with AI.

Letra del Tango Mirame a mi

De amor no se muere nadie

Y el que llora es pa´ engrupir,

El amor es linda excusa

Pa´ llorar y pa´ reír.

Si alguna mujer te dice

Que tu amor la enloqueció,

Decile que sí, a ella

¡Pero vos pensá que no!



Mirame a mí,

Que ya soy perro viejo.

Mirame a mí,

Que puedo ser tu espejo.

Mirame a mí,

Que por seguir consejos,

Ya me perdí

Hasta el pellejo…

Largá, largá,

Dejate de amoríos

Largá, largá,

No te hagás el tenorio,

Que sonarás

Igual que yo…



Si alguna te pide plata

Vos tratá de disparar,

Que es una cosa muy seria

La mujer para mangar.

Si una vieja te persigue

Sin dejarte resoyar,

Es fija que busca novio

Y te quiere hacer picar.



Mirame a mí

Etc…etc…



Si tu novia te abandona

Dale las gracias a Dios,

Así te sacás un clavo

¡Y pa´ clavo ya sos vos!

Cuidáte del matrimonio

Ni dormido te casés,

¡Mirá si sabré de estas cosas

que yo me casé con tres…!

English lyrics of the Tango "Mirame a mi"

No one dies of love

And those who cry just put on a show,

Love is a beautiful excuse

To cry and to laugh.

If a woman ever tells you

That your love drove her mad,

Agree with her, sure,

But in your head, think not!

Look at me,

I’m an old dog.

Look at me,

I could be your mirror.

Look at me,

For following advice,

I’ve lost

Even my skin…

Let go, let go,

Forget these love affairs

Let go, let go,

Don’t play the lover,

You will end up

Just like me…

If someone asks you for money

Try to dodge quickly,

Because it’s a serious thing

When a woman starts to beg.

If an older woman chases you

Not letting you breathe,

It’s certain she’s looking for a beau

And wants to snag you.

Look at me

Etc…etc…

If your girlfriend leaves you

Thank God,

This way you dodge a bullet

And a bullet is what you already are!

Beware of marriage

Don’t even marry in your sleep,

Look, should I know about these things,

I married three…!

Mirame a mi by Luis Rubistein

Mirame a mi is a Tango written by Luis Rubistein and composed by Francisco Pracánico.

Story behind the Tango Mirame a mi

“Mirame a mi” portrays a narrative of guarded caution and skepticism towards love and relationships, reflecting a voice of experience advising against naiveté in romantic endeavors. Featuring an older individual or “perro viejo” (old dog), the lyrics express a hardened perspective, suggesting that love is only a façade for both sadness and joy, and warning the listener not to be deceived by it. This person presents himself as a mirror (“espejo”) — a reflection of what one might become if they blindly follow love’s precarious path.

Symbolism of Mirame a mi

The tango uses the metaphor of being an “old dog” to symbolize wisdom gained through hard and possibly bitter experiences. The line “that have lost even their skin” uses vivid imagery to depict how much the speaker has suffered or lost by following poor advice or yielding to romantic feelings. These symbolisms underscore themes of disillusionment and caution, prevalent in the tango culture where the dance and music often echo tales of melancholy, nostalgia, and profound emotion.

Mirame a mi in historic Context

Composed in Argentina in 1933, “Mirame a mi” emerged during a period marked by social and economic turmoil. This was the aftermath of the 1930 Revolution and during the infamous Infamous Decade, characterized by political corruption and fraud. In this context, the song possibly mirrors the public’s growing mistrust and skepticism not only towards their political environment but also reflecting personal interactions such as love and marriage. The repeated advice to avoid financial entanglements and marriage in the lyrics might also mirror the general atmosphere of mistrust and the protective self-guarding mentality developed during those times.

Luis Rubistein

Luis Rubistein was an influential figure in the tango scene, known for crafting lyrics that often resonated deeply with the socio-economic and cultural climate of Argentina.