Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Lágrimas (3) is a Tango written by Juan De la Calle and composed by Vicente Vilardi.
“Lágrimas (3)” translates to “Tears” in English, a title that evocatively sets the emotional tone of the song. The lyrics portray a poignant scene of a heartbroken individual sharing the story of a love ended by betrayal. The response from the listener, possibly a new love interest, is one of empathy, leading to a kiss that promises new affection and a reason to forget past pain. The phrase “Llorando de dolor” (Crying in pain) immediately informs the listener of the deep sorrow experienced by the narrator, while “Yo te conté del triste fin,” (I told you about the sad ending) introduces the backstory of lost love.
The recurring theme of tears throughout the tango symbolizes both the sorrow of past betrayals and the cathartic release they bring, paving the way for new beginnings. Key phrases like “Tu boca me besó” (Your mouth kissed me) symbolize the healing power of new love, suggesting a transformation from pain to hope. Another poignant phrase, “Cuando llorando dijo: ‘Olvida tu dolor.'” (When crying she said: ‘Forget your pain.’), illustrates the tender moment of mutual understanding and shared vulnerability, which deepens the bond between the two characters.
Written and recorded in Argentina in 1931, “Lágrimas (3)” emerges from a period rich in cultural and historical upheavals. The early 1930s in Argentina were marked by significant political and social changes, with the effects of the worldwide Great Depression beginning to take hold. In such times, tango often served as an emotional outlet and a form of escape from harsh realities, with themes of loss, nostalgia, and personal anguish resonating deeply among the populace. This backdrop enriches the narrative of “Lágrimas (3),” positioning it as not just a personal story of heartbreak and recovery, but also as a reflection of the broader societal experience of coping with adversity.
Juan De la Calle was an Argentine lyricist known for capturing the essence of the tango’s spirit through his poignant and emotive lyrics. His work remains celebrated for its ability to evoke deep emotional responses from its audience.