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El patio de la morocha

El patio de la morocha is a Tango written by Mariano Mores and recorded by José Basso in 1951. The Tango El patio de la morocha is written by Mariano Mores, José Basso has recorded El patio de la morocha with the singer Oscar Ferrari, Jorge Duran.
The song “El patio de la morocha,” or “The Courtyard of the Brunette,” evokes a scene where shadows and whispers intertwine in a timeless dance. It captures the essence of a place where stories of love and longing are shared in the soft glow of twilight. Here, beneath the stars, passion and nostalgia play in the gentle embrace of the night.

Tango

Style

José Basso

Orchestra

Oscar Ferrari, Jorge Duran

Singer

Cátulo Castillo

Author

Mariano Mores

Composer

1951/5/17

Date

Oscar Ferrari, Jorge Duran
Oscar Ferrari, Jorge Duran
José Basso
José Basso

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El patio de la morocha recorded by other Orchestras

El patio de la morocha recorded by other Orchestras

Lyrics Translation of the Tango El patio de la morocha

This is the translation of the Tango “El patio de la morocha” from Spanish to English. The English lyrics of the Tango “El patio de la morocha” have been done with AI.

Letra del Tango El patio de la morocha

Patio de la morocha que allá en el tiempo
tuvo frescor de sombras como el alero.
Sobre tu piso pobre ladrillos viejos,
junto a mi pecho triste sus ojos negros
diciendo adiós,
diciendo adiós …

Con el recuerdo de este tango vuelvo a verla.
Con el recuerdo de este tango juguetón
que me habla de ella.
Tal vez el patio y el cedrón que me llamaba
y su carita de ilusión que se asomaba.
Y en el jirón de alguna
linda medialuna,
su cara bruna
que me miraba…

Feliz paisaje de vida
que duele como una herida.
Pobre retazo de sueño
que acaso no tenga dueño.
Si estaba el alma en pedazos,
cómo ingratos sus ojazos
cuanto más amor pidieron
se me fueron…

¡Muchacha criolla
del tiempo aquel!
Tango dulzón y orillero
que al corazón
le reprocha, cruel,
la ausencia de la morocha
y el viejo patio que quiero…

Sobre tu piso pobre,
ladrillos viejos.
Junto a mi pecho triste,
sus ojos negros
diciendo adiós,
diciendo adiós…

English lyrics of the Tango "El patio de la morocha"

Courtyard of the brunette that back in time
had the coolness of shadows like the eaves.
Across your modest floor, old bricks,
next to my sad chest, her dark eyes
saying goodbye,
saying goodbye…

With the memory of this playful tango, I see her again.
With the memory of this tango that speaks to me of her.
Perhaps the courtyard and the lemon verbena that called to me
and her little face of hope that peeked through.
And in the strip of some
pretty crescent moon,
her brown face
that looked at me…

Happy landscape of life
that hurts like a wound.
Poor patch of a dream
that perhaps has no owner.
If the soul was in pieces,
how ungrateful her big eyes,
the more love they asked for,
the more they left me…

Creole girl
from that time!
Sweet, edgy tango
that reproaches the heart, cruelly,
for the absence of the brunette
and the old courtyard that I love…

Across your modest floor,
old bricks.
Next to my sad chest,
her dark eyes
saying goodbye,
saying goodbye…

El patio de la morocha by Cátulo Castillo

El patio de la morocha is a Tango written by Cátulo Castillo and composed by Mariano Mores.



Story behind the Tango El patio de la morocha

The lyrics of “El patio de la morocha” evoke a poignant nostalgia, centered around an old courtyard where the narrator recalls the presence of a woman with “sus ojos negros” (her black eyes). This setting, characterized by its modest brick floor and a shaded freshness reminiscent of a bygone era, becomes a space of intimate memory and profound loss. The repeated phrase “diciendo adiós” (saying goodbye) emphasizes the theme of departure and the lingering pain of farewell.



Symbolism of El patio de la morocha

The imagery of the old courtyard and the aged bricks symbolizes the tangibility of past moments and the enduring impact of lost love. The courtyard, likely a communal, yet intimate space, displays the coexistence of personal memories within public spheres typical in Latin American settings. Phrases like “feliz paisaje de vida” (happy landscape of life) contrast with “que duele como una herida” (that hurts like a wound), reflecting the dual nature of memories that bring joy yet also pain. The reference to the woman as “Muchacha criolla” evokes her native Argentinian roots, adding a layer of personal and cultural identity to the longing expressed.



El patio de la morocha in historic Context

“El patio de la morocha” was released in 1951, a period marked by significant political and social changes in Argentina. The atmosphere of the time was charged with the rising influence of Peronism, which sought to reshape the Argentine identity. In this context, the song’s retrospective gaze at a simpler, albeit economically humble, setting can be seen as a form of cultural nostalgia. This nostalgia not only reflects a personal longing but also a broader societal yearning for the past amid rapidly changing times. The song’s creation in Buenos Aires, a melting pot of cultural influences, further enriches its expression of longing and belonging.



Cátulo Castillo

Cátulo Castillo was a prominent Argentine poet and tango lyricist known for his deeply emotional and evocative style, capturing the essence of the Buenos Aires’ urban landscape and soul.