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El barbijo

El barbijo is a Tango written by Andrés Domenech and recorded by Roberto Firpo in 1929. The Tango El barbijo is written by Andrés Domenech, Roberto Firpo has recorded El barbijo with the singer Teófilo Ibáñez.
“El Barbijo,” which translates to “The Face Mask” in English, is a poignant reflection on the isolation and resilience experienced during challenging times. The music captures the delicate balance between vulnerability and strength, weaving an intricate dance of emotions. As the melody unfolds, it serves as both a reminder of shared struggles and a celebration of enduring hope.

Tango

Style

Roberto Firpo

Orchestra

Teófilo Ibáñez

Singer

Jesús Fernández Blanco

Author

Andrés Domenech

Composer

1929/9/10

Date

Teófilo Ibáñez
Teófilo Ibáñez
Roberto Firpo
Roberto Firpo

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Lyrics Translation of the Tango El barbijo

This is the translation of the Tango “El barbijo” from Spanish to English. The English lyrics of the Tango “El barbijo” have been done with AI.

Letra del Tango El barbijo

Un gaucho bravo, flor de la raza,

llegó a la tropa con su gateao;

jirón sangriento de su coraje,

con un barbijo se ve marcao.

Un viejo zorro pregunta al gaucho

cuál es la historia del costurón

y el mozo altivo, mirar de tigre,

la historia cuenta junto al fogón.



La linda china

que está en mi rancho,

un tal Carancho

me la envidió.

Robarme quiso

la prienda amada

y en la trenzada

me las pagó.

Los ojos pumas

brillaron fieros

y en los aceros

relampagueó.

¡Marcó mi cara

con un barbijo,

pero ni ¡ay! dijo

cuando cayó!



El gaucho bravo, mirar de tigre,

montó en su pingo color gateao

y al despedirse les dijo a todos:

¡No es por ser maula que me han marcao!

Si alguno duda de mis palabras

que salga y hable con el facón…

¡Es ley de criollos jugar la vida

cuando les tocan el corazón!…

English lyrics of the Tango "El barbijo"

A brave gaucho, pride of the race,

arrived with his dappled steed;

a bloody tear of his courage,

marked by a facial scar.

An old fox asks the gaucho

the story behind the stitch,

and the proud lad, with a tiger’s gaze,

tells the tale by the campfire.

The pretty girl

at my ranch,

a certain Carancho

envied me.

He tried to steal

my beloved,

and in the braided fight

he paid for it.

Her cougar eyes

flashed fiercely,

and in the blades

lightning struck.

He marked my face

with this scar,

but didn’t even cry out

when he fell!

The brave gaucho, with a tiger’s gaze,

mounted his dappled horse

and as he bid everyone farewell, he said:

I’m not marked because I’m weak!

If anyone doubts my words,

come out and speak with the blade…

It’s the creole law to stake your life

when they touch your heart!…

El barbijo by Jesús Fernández Blanco

El barbijo is a Tango written by Jesús Fernández Blanco and composed by Andrés Domenech.

Story behind the Tango El barbijo

The lyrics of “El barbijo” portray a dramatic narrative centered around a gaucho, symbolizing the quintessential Argentine cowboy, known for his bravery and marked by a scar (“barbijo”). This scar, given to him in a fight over a woman he loved, sets the stage for exploration of themes such as love, jealousy, courage, and the gaucho’s honor. Through his encounter and subsequent duel with an envious rival, Carancho, the gaucho bears this physical mark, a vivid symbol of his emotional and personal battles.

Symbolism of El barbijo

The “barbijo” (translated to “mask” or “muzzle” in English, though here symbolically referring to a scar on the face) serves as a deep symbol in the song. It represents not only the physical aftermath of a violent dispute but also conveys elements of earned respect and the personal cost of upholding one’s honor. The duel where the gaucho’s face is marked reflects traditional codes of masculinity and courage. Simultaneously, phrases like “mirar de tigre” (tiger-like gaze) and “los ojos pumas brillaron fieros” (the puma eyes shone fiercely) amplify the wild, almost animalistic nature of the gaucho, further cementing the song’s intense emotional backdrop.

El barbijo in historic Context

Recorded in 1929, “El barbijo” situates itself in a period of Argentine history marked by a national identity forged in part through the idealized figure of the gaucho. As tango itself evolved from intertwining cultures and influences, it often carried narratives that highlighted aspects of local tradition and societal norms of early 20th-century Argentina. The gaucho’s story in “El barbijo” encapsulates themes of machismo, honor, and personal integrity, reflecting broader societal values of the time.

Jesús Fernández Blanco

As a tango lyricist, Jesús Fernández Blanco contributed significantly to the popular Argentine genre, shaping its development through his evocative storytelling and deep understanding of local culture.