Fabrice Knecht Tango DJ

De mis pagos

De mis pagos is a Ranchera written by and recorded by Edgardo Donato in 1935. Edgardo Donato has recorded De mis pagos as an instrumental Ranchera.
“De mis pagos” translates to “From My Homelands” in English. This evocative title speaks to the deep connection and nostalgia for one’s roots, resonating with memories and the essence of home. It reflects a longing for familiar landscapes and cherished traditions, captured in the melodies and rhythms that tell stories beyond words.

Ranchera

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

Composer

1935/7/17

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

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Enrique Francini – Milonga con variación (Milonga con variaciones) – 1970/12/18
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1935/7/17 – Hola que tal – Edgardo Donato
1935/7/18 – Potpourri de tangos (Solo de cuatro bandoneones) – Julio De Caro
1935/7/18 – Potpourri federal – Julio De Caro
1935/7/24 – Chiribiribin – Roberto Firpo
1935/7/24 – Fantoches – Roberto Firpo

De mis pagos recorded by Edgardo Donato


De mis pagos is an instrumental Tango composed by .



Interpreatation of De mis pagos


“De mis pagos” translates to “From My Homeland” in English. As an instrumental piece performed by the Edgardo Donato orchestra, it evokes the profound nostalgia and affection one holds for their hometown or roots. Through the distinct sounds of strings, bandoneón, and other traditional tango instruments, the music vividly captures the emotions of longing and pride associated with the composer’s homeland.



Edgardo Donato and De mis pagos


Edgardo Donato, renowned for his vibrant and emotive tango arrangements, recorded “De mis pagos” with his orchestra. Released on July 17, 1935, this composition showcases Donato’s ability to bring out the soulful essence of tango music, effectively conveying a sense of place and belonging through purely instrumental means.