Cantando se van las penas (2) by Roberto Luratti

Cantando se van las penas (2) is a Tango written by Roberto Luratti and composed by Roberto Luratti.

Story behind the Tango Cantando se van las penas (2)

The title “Cantando se van las penas (2)” translates to “Singing Away the Sorrows” in English. This tango revolves around the therapeutic and transformative power of singing. The protagonist narrates how singing not only introduced him to a captivating love but also remains his solace despite the emotional chains this love enthralled him with. The narrative captures a poignant mix of joy and enduring affliction, where music becomes both the cause and remedy of the heart’s complexities.

Symbolism of Cantando se van las penas (2)

Symbolism in “Cantando se van las penas (2)” is deeply intertwined with emotions and the redemptive quality of music. Phrases like “Sus ojos me encadenaron” (Her eyes chained me) suggest a captivating, almost entrapping allure of love which is juxtaposed with the liberating act of singing, as implied in “Cantando se van las penas” (Singing Away the Sorrows). This duality enhances the emotional depth of the tango, underlining the profound impact of personal relationships and artistic expression on one’s life.

Cantando se van las penas (2) in historic Context

The tango was recorded on June 28, 1940, a time when Argentina was rich in cultural and musical evolution, yet politically turbulent. This period saw tango evolve into a form that was not merely dance but a profound narrative medium that reflected social realities and personal stories. Thus, this tango not only encapsulates personal angst and romantic encounters but also serves as a sonic reflection of the era’s social dynamics, with Buenos Aires often serving as a melting pot of artistic and emotional expressions.

Roberto Luratti

Roberto Luratti was an Argentine composer and lyricist known for his contributions to tango music, often capturing the spirit and complexities of human emotions through his works.