Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Canción de rango (Pa’ que se callen) is a Tango written by José María Suñé and composed by Raúl Kaplún.
The lyrics of “Canción de rango (Pa’ que se callen)” serve as a vibrant celebration of tango, addressing those who judge the dance and music as merely sad or lowly. The songwriter, José María Suñé, uses the lyrics to assert the dignity and emotional depth of tango, inviting everyone, whether they come to dance or listen, to experience the profound and spirited essence of this musical form. “Pa’ que se callen” translates to “So they shut up,” a direct address to the critics of tango, commanding respect for its expressive power.
The tango is personified in the lyrics, described as “pretencioso y retobado” (pretentious and defiant), symbolizing its complex character. Suñé highlights the tango as a living, breathing entity seeking a “corazón” (heart) to resonate with, which elevates the genre from mere dance to a poignant form of emotional and cultural expression. The phrase “Yo canto porque vivo la emoción” (I sing because I live the emotion) succinctly captures the deep connection between the singer and his music, suggesting that tango is not only a performance but an embodiment of feelings.
Released in 1942 in Argentina, “Canción de rango (Pa’ que se callen)” was composed during a time when tango music was evolving and gaining international recognition, yet also facing scrutiny and stereotypes as a dance of the lower classes or a lamentable expression. By asserting that the tango is “triste, pero es canción de rango” (sad, but it is a song of rank), Suñé challenges the dismissive attitudes and emphasizes the genre’s rightful, esteemed place in cultural settings. The reference to “dos por cuatro,” a rhythm typical to tango, alongside calling it “esta cadencia viril” (this virile cadence), frames tango as both traditionally masculine and robust, a counter to those who may perceive it as merely melancholic.
José María Suñé was a pivotal figure in the tango scene, known for his poignant lyrics that often weave intricate emotional and social narratives.