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Ausencia (3)

Ausencia (3) is a Vals written by Carmelo Saponaro and recorded by Orquesta Típica Victor in 1931. The Vals Ausencia (3) is written by Carmelo Saponaro, Orquesta Típica Victor has recorded Ausencia (3) with the singer Alberto Gómez.
The piece is titled “Ausencia (3)”, which translates to “Absence (3)” in English. This evocative name captures the essence of longing and the silent void left behind by something or someone dearly missed. It is a musical expression, perhaps akin to a Tango, where each note weaves a narrative of heartache and yearning, painting emotions that words alone cannot fully convey.

Vals

Style

Orquesta Típica Victor

Orchestra

Alberto Gómez

Singer

Francisco Brancatti

Author

Carmelo Saponaro

Composer

1931/2/5

Date

Alberto Gómez
Alberto Gómez
Orquesta Típica Victor
Orquesta Típica Victor

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Lyrics Translation of the Vals Ausencia (3)

This is the translation of the Vals “Ausencia (3)” from Spanish to English. The English lyrics of the Vals “Ausencia (3)” have been done with AI.

Letra del Vals Ausencia (3)

Desalentado por la agonía de una esperanza

Enmudecieron dos ruiseñores del alma mía

Y al fin desorientado sin amor

Con la mirada fría

Ensayo la plegaria del querer

Que invoca mi dolor



Vuelen alegres a sonreírme con sus perfumes

Los crisantemos y los narcisos de mi ventana

[…]

[…]

La flor de mi ilusión que yo vi florecer

English lyrics of the Vals "Ausencia (3)"

Discouraged by the agony of a hope,

Two nightingales of my soul fell silent,

And at last disoriented, without love,

With a cold gaze,

I practice the prayer of wanting,

That invokes my pain.

Let the chrysanthemums and daffodils by my window,

Fly joyfully to smile at me with their scents,

[…]

[…]

The flower of my illusion that I saw bloom.

Ausencia (3) by Francisco Brancatti

Ausencia (3) is a Tango written by Francisco Brancatti and composed by Carmelo Saponaro.



Story behind the Tango Ausencia (3)

The lyrics of “Ausencia (3)” paint a vivid picture of heartache and longing, expressed through the metaphorical language of withered flowers representing lost hopes and dreams. The author, Francisco Brancatti, channels deep emotional distress as he describes the “agonía de una esperanza,” highlighting a sense of despair and desolation. This tango captures the essence of absence, not only physically but emotionally, through the vivid imagery of silenced songbirds and the cold demeanor that comes with lost love.



Symbolism of Ausencia (3)

In “Ausencia (3),” Francisco Brancatti masterfully uses natural elements as symbols to deepen the emotional impact. The “dos ruiseñores del alma mía” symbolize the inner voice or spirit of the protagonist, suggesting a profound personal loss that silences his joyful emotions. The reference to chrysanthemums and narcissus at his window brings in elements of nature that traditionally symbolize death and self-admiration, respectively, offering a nuanced view of reflection and mourning. The line “La flor de mi ilusión que yo vi florecer” poignantly captures the journey from hope to despair, emphasizing the fleeting beauty and eventual decay of his once-vibrant dreams.



Ausencia (3) in Historic Context

Recorded in 1931, a time when Argentina was experiencing significant social and economic changes, “Ausencia (3)” reflects the personal upheavals that mirrored the national sentiment. The melancholy and nostalgia prevalent in tango music of this era serve as a response to the disorienting effects of modernization and urbanization in Buenos Aires. The tango thus becomes a space to express loss and longing, both personal and collective. The yearning described by Brancatti can also be seen as a metaphor for a nation grappling with its changing identity and the melancholy of what was left behind.



Francisco Brancatti

Francisco Brancatti was an influential lyricist in the realm of Argentine tango, known for his poignant and evocative lyrics that often explore themes of love, absence, and nostalgia.