Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
A mis pagos voy is a Tango written by Eduardo Pedrotta and composed by Luis Savastano.
The narrative of “A mis pagos voy” revolves around a person reflecting on their roots and homeland, symbolized by the rural landscapes and elements mentioned in the song. The protagonist mentions leaving behind significant aspects of their rural life—including fields, a horse, and a loved one—pursuing glory elsewhere. The essence of the lyrics lies in the protagonist’s emotional conflict and longing, signifying a powerful desire to return to familiar grounds and the simpler times of their upbringing, despite the successes experienced in the city.
The lyrics of “A mis pagos voy” are rich with symbolism that connects deeply with the rural and pastoral heritage of Argentina. Phrases like “mi campo arado” (my plowed field) and “mi tropilla y mi alazán” (my herd and my chestnut horse) evoke a sense of grounding tied to the land and traditional gaucho culture. The recurring theme of returning “a mis pagos” (to my places) symbolizes a return to one’s origins and true self, highlighting a universal theme of belonging and identity. The protagonist’s promise to the “dulce dueña de unas trenzas negras” symbolizes commitments and personal connections that persist despite physical distance and time.
Created in 1967, a time of profound cultural and political shifts in Argentina, “A mis pagos voy” emerges as a lyrical reflection of nostalgia and cultural preservation. This era saw a movement towards urbanization and global influences creeping into the traditional lifestyles, leading individuals to grapple with their identities amidst rapid changes. The tango, set against this backdrop, serves as an ode to remembering and valuing one’s roots, and possibly a critique of the growing disconnect with traditional values. Buenos Aires, mentioned as the place of achieved glory yet also the place to be forgiven for leaving, represents the modern, conflict-laden allure compared to the serene, soul-soothing ‘pagos’ or homelands.
Eduardo Pedrotta emerges as an insightful lyricist who capably entwines personal emotion with broader cultural commentary, using the medium of tango to tell stories that resonate with the Argentine populace.