The orchestra behind this enticing collection of tangos is none other than Juan D’Arienzo’s, known for its vigorous rhythm and potent delivery. The tanda, titled “D’Arienzo / Instrumental Tango Tanda (1939-1941),” consists solely of instrumental pieces, allowing the pulsating vibrancy of the bandoneons and strings to take center stage without vocal accompaniment. The selected tangos, “El rey del compás,” “Por qué razón,” “La clavada,” and “La bicoca,” demonstrate the powerful dynamics and rhythmic precision that D’Arienzo’s orchestra is celebrated for.
Analysis of the Tango Tanda
This particular tanda, gathered from recordings between 1939 and 1941, showcases the orchestra’s mastery over the rapid-fire beats that are a signature of D’Arienzo’s style. Their instrumental nature allows for an unadulterated expression of tango’s raw energy, creating a purely orchestral narrative. With an average speed of 69 bpm, the tanda offers a brisk, energetic pace typical of the late 1930s and early 1940s tango scene, captivating dancers with its urgent call to the dance floor. “El rey del compás,” an iconic piece by D’Arienzo, sets an invigorating tone for the set, promising a tanda that fills the milonga with eager dancers right from the start. The rapid cadence and vibrant rhythms make this tanda a compelling choice for an early play in a milonga, ensuring a filled dance floor and energetic start to an evening of dance.