Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Yo te quiero asi is a Tango written by José Horacio Staffolani and composed by.
The Tango “Yo te quiero asi” narrates the poignant tale of “Ventarrón,” a man once renowned in his community for his daring and courageous acts, often associated with the rogue or ‘malevo’ persona in Argentine culture. The Tango traces Ventarrón’s journey from fame to a subdued life, exploring themes of change, loss, and nostalgia.
The use of Ventarrón as the central figure symbolizes the typical machismo and hero of the Argentine underclass, who often live lives marked by brief moments of glory followed by decay. The symbolic reference to physical fights and passionate affairs in phrases like “sos el malevo mentado del hampa” and “en las canyengues quebradas del tango” illustrates the cultural celebration of such lived experiences within the realm of Tango. Names and places like Pompeya evoke a rich cultural and historical canvas, hinting at specific neighborhoods known for their vibrant Tango history.
When “Yo te quiero asi” was written in 1967, Argentina was undergoing significant social and political changes. This was a period marked by the rise of Peronism and its subsequent suppression, which influenced the Argentine cultural sphere deeply. The melancholy and reflection in the Tango may reflect a broader societal contemplation about identity and belonging amid shifting political dynamics. The Tango thus acts as a nostalgic reminder of the golden age of Tango, juxtaposing the glamour of past moments against the harshness of contemporary reality.
José Horacio Staffolani was an Argentine poet renowned for his Tango lyrics which deeply resonate with the emotional landscape and social fabric of Argentina.