Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Yo soy el tango is a Tango written by Homero Expósito and composed by Domingo Federico.
‘Yo soy el tango’ is a passionate declaration embodied in tango music and lyrics, reflecting the character of the genre itself: its origins, evolution, and timeless essence. It portrays tango as an enduring essence, born in the challenging suburbs but capable of adapting, evoking deep emotion across time and space. Yet, it resists complete metamorphosis or extinction, proclaiming its constancy and identity.
The lyric “me quiebro en mi canción como un puñal de acero” powerfully symbolizes the sharp, soul-piercing quality of tango both through its music and dance. A “puñal de acero” (steel dagger) is both strong and can inflict deep wounds, metaphorically representing how deeply moving the tango can be, capable of evoking profound feelings of betrayal or loss. The rhythm and movement of the dance (“escuchen mi compás”), often characterized by sharp, decisive motions, parallels this imagery.
The tango ‘Yo soy el tango’ emerged in 1941, a time when tango was an integral element of Argentine culture yet facing transformations influenced by modernization and global trends. This period sparked debates about maintaining cultural authenticity amid rapid changes. The lyrics, “Hoy, que tengo que callar, que sufro el desengaño, la moda y los años,” illustrate the tango’s struggle against the erasure by contemporary trends and the passage of time. Tango here speaks as a living entity, embodying the traditional Argentine spirit that endures despite changing fashions or societal shifts.
Homero Expósito, a distinguished Argentine lyricist and poet, made significant contributions to the tango genre with his profound and introspective lyrics.