Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Yo soy del treinta is a Tango written by Héctor Méndez and composed by Aníbal Troilo.
“Yo soy del treinta” translates to “I am from the thirties” in English, specifically referencing the 1930s. This tango lyrically taps into a nostalgic reflection on influential personalities and societal changes in Argentina during that decade. The reference to Yrigoyen pertains to former President Hipólito Yrigoyen who was ousted in 1930, marking a critical political shift. Similarly, “Carlitos,” likely refers to a notable figure such as Carlos Gardel, embodying the cultural icons of the era. The song encapsulates a personal and collective memory, intertwining the narrator’s identity with the historical and cultural transformations of that time.
The lyric “Yo soy un cacho de Buenos Aires / Hecho a cortada y diagonal” uses urban imagery to symbolize the narrator’s profound connection with the cityscape of Buenos Aires, representing how deeply entwined his identity is with these streets and their history. Referencing figures like Homero Manzi and Discepolín, renowned tango lyricists, and Enrique Muiño, a prominent actor, the song uses these personalities as symbols of artistic and moral integrity. The phrase “cuando la vida me hizo sentir” evokes the hardships and teaching moments of the era, highlighting resilience and the sobering education imparted by life’s challenges.
The historical backdrop of the 1930s in Argentina, marked by political upheaval and cultural shifts, deeply influences this tango. The overthrow of President Yrigoyen initiated a period of political instability and signaled the end of an era. The expansion of Corrientes Avenue (“cuando a Corrientes me la ensancharon”) relates to urban development projects that reshaped Buenos Aires, symbolic of the modernization of Argentine society in the throes of change. The tango is not only a personal recounting but also a wider reflection on the resilience and adaptability of Argentinian culture during a time of transformation.
Héctor Méndez is known for his contributions to Argentine tango, both as a lyricist and in capturing the essence of Buenos Aires’ cultural and social fabric in his works.
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