Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Yira yira is a Tango written by Enrique Santos Discepolo and composed by Enrique Santos Discepolo.
The lyrics of “Yira yira” depict a vivid and stark portrayal of disillusionment and existential despair. The song speaks to those moments when individuals find themselves abandoned by luck and struggling to survive in a cold and indifferent world. The recurring motif of ‘yira yira,’ which translates to ‘everything goes around’ or ‘spins,’ symbolizes the relentless and indifferent nature of the world and fate, which continues regardless of personal suffering or hardship.
The symbolism in “Yira yira” serves to underscore the harsh realities and emotional depth of the lyrics. Phrases like “cuando la suerte que es grela” (when luck, which is harsh, fails you repeatedly) and “cuando no tengas ni fe” (when you have neither faith) highlight a deep sense of abandonment and loss of hope. The image of clothes being tried on by others symbolizes the eventual disposability of one’s life and efforts, emphasizing the song’s themes of existential neglect and societal indifference.
“Yira yira” was recorded in 1964, a period marked by political and social turbulence in Argentina. The message and tone of the tango resonate with the feelings of many during this era, who experienced societal instability and felt a disconnect from the promises of progress and prosperity. The song, through its poignant and stark lyrics, provides a voice to the marginalized and disillusioned segments of society, making it a powerful cultural statement against the backdrop of the times.
Enrique Santos Discepolo was a profound Argentine tango and milonga musician and composer, known for his deeply introspective and socially critical lyrics.