Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ya estamos iguales is a Tango written by Francisco García Jiménez and composed by Anselmo Aieta.
“Ya estamos iguales,” which translates to “Now we are the same,” reveals a narrative of shared suffering and disillusionment between two individuals. The lyrics poetically express the profound emotional state of both parties who, having experienced betrayal and remorse, find themselves in a similar dark emotional state. The lament “Mi noche es tu noche, mi llanto tu llanto; mi infierno tu infierno” embodies the shared fate of the protagonists, emphasizing that the despair one feels is mirrored by the other.
The song uses strong symbols of anguish and retribution. Phrases like “los siete puñales del remordimiento” (the seven daggers of remorse) and “estatua de hielo” (ice statue) powerfully convey the themes of emotional torment and cold betrayal. These symbols express the depth of emotional scars and the chilling nature of betrayal. The repeated mention of shared night, tears, and hell underlines the mirror-like symmetry of their emotional condition—a key thematic element.
Recorded in 1964 during a period rich with transformative cultural and political changes in Argentina, “Ya estamos iguales” reflects a quietly tumultuous undercurrent in societal relationships. The hardships and mutual sufferings depicted in the lyrics could be seen as reflections of the broader societal experiences of the time, where many Argentinians faced political instability and social upheaval.
A renowned lyricist, Francisco García Jiménez is celebrated for capturing the essence and passion of Argentine tango in his poignant and evocative words.