Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Y no le erré is a Tango written by Abel Aznar and composed by Carlos Olmedo.
“Y no le erré” portrays a narrative of emotional maturity and reconciliation, embedded deeply in personal introspection and relationships. The lyrics express the narrator’s surprise at how their former partner’s behavior has transformed from pride and disdain to a more humble and approachable demeanor. This change coincides with the partner’s return, suggesting a theme of redemption and the cyclic nature of relationships.
The song reflects on past arrogance and disdain, noting a significant shift in attitude as the partner returns, presumably after experiencing life’s hardships or realizing the superficiality of their previous stance. It conveys an insightful commentary on human pride and the humbling journey life often takes, signifying that true understanding comes through experience and the sometimes harsh realities of life.
The recurring phrase “Y no le erré,” translated to “And I wasn’t wrong,” is symbolic of the narrator’s intuition and understanding of the nature of their relationship. It reflects a deep-seated belief in knowing how things would eventually pan out, despite the initial turmoil. This line emphasizes vindication and the satisfaction of having foreseen the course of events accurately, highlighting a theme of inevitability and fate in human connections.
The reference to “otra vida y de otro tren” (another life and another train) symbolizes missed opportunities and the choices that lead individuals away from or back to each other, suggesting that life’s journey can come full circle. It serves as a metaphor for life’s transient and often cyclical nature.
The tango was conceived in 1959, a period marked by significant social and cultural shifts in Argentina. During this era, tango music often reflected deep emotional narratives, touching on themes of love, loss, and personal growth. The historical context adds depth to the song’s themes, mirroring the emotional turmoil and resilience characteristic of Argentine society during a time of political fluctuation and cultural re-evaluation.
The historical backdrop enriches the tango by placing personal struggles against a broader societal canvas, reflecting on how individual experiences echo larger social dynamics.
Abel Aznar was an influential lyricist and poet in the Argentine tango scene, known for his poignant and evocative lyrics.