Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Y mientes todavía is a Tango written by Abel Aznar and composed by Luciano Leocata.
At the heart of “Y mientes todavía” lies a narrative of pain, unrequited love, and betrayal. The lyrics express the voice of an individual who has been deeply hurt by someone they loved wholeheartedly. Throughout the song, the person pleads with their former lover not to lie and to allow them to continue living with the pain they’ve been left with. This tango captures a moment of confrontation where old wounds are reopened, and lies are reluctantly confronted.
The symbolic language in “Y mientes todavía” enhances its emotional depth. Phrases like “your kisses that are of sorrow” and “tears and calls you in despair” illustrate the speaker’s inner turmoil and desperate longing. The reference to words that “wound like a dagger” indicates the painful impact of dishonesty and false promises. The title itself, translating to “And you still lie,” encapsulates the central theme of deceit that threads through the entire piece.
Recorded in 1950, a time when Argentina was under political and social transformations, “Y mientes todavía” reflects personal narratives against a backdrop of wider societal changes. Post-World War II Argentina was marked by economic instability and evolving social mores, which may have influenced the pervasive themes of mistrust and disillusionment in the tango. The yearning and frustration expressed could also mirror the collective sentiment of a populace grappling with uncertainty.
Abel Aznar was an acclaimed Argentine lyricist known for his profound and evocative tangos that often delved into themes of love, sorrow, and existential angst.