Y mientes todavía by Abel Aznar

Y mientes todavía is a Tango written by Abel Aznar and composed by Luciano Leocata.

Story behind the Tango Y mientes todavía

The lyrics of “Y mientes todavía” tell a story of profound sorrow and betrayal. The narrator pleads with a former lover not to lie anymore, expressing a desire to be left alone to continue living with their existing pain. Despite a deep love once shared, the narrator accuses the lover of having inflicted tremendous suffering upon them. The emotion intensifies with the lover’s return—evidently out of pity—and the realization that the returned affection is insincere. This piece carries the theme of unrequited love and the emotional devastation of realizing that someone’s affection was never as sincere as one’s own.

Symbolism of Y mientes todavía

The tango uses poignant language and vivid imagery to enhance its emotional depth. Phrases like “te ensañas con mi vida” (you prey on my life) and “¡Qué infame y qué cobarde!” (How vile and cowardly!) paint a picture of profound betrayal and scorn. The repetitive accusations and the refrain “Y mientes todavía” underscore the ongoing deceit perceived by the narrator, suggesting that despite the passage of time, the wounds remain fresh and the deception persists.

Y mientes todavía in historic context

Recorded in 1950 in Argentina, “Y mientes todavía” was conceived during a tumultuous period in Argentine history, marked by political instability and social upheaval. This context may have influenced Aznar’s portrayal of personal betrayal and despair, mirroring the broader societal sentiments of uncertainty and distrust prevalent at the time. The tango, as a music genre, often echoes the sentiments of the working class and the disenchanted, serving as a potent vehicle for expressing deeply felt personal and collective emotions.

About Abel Aznar

Abel Aznar was a notable figure in Argentine tango, known for his emotive lyrics and contributions to the genre’s rich cultural tapestry.