Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Y la perdi is a Tango written by and composed by Antonio Rodio.
“Y la perdi” narrates the sorrowful tale of a love lost, exploring the deep void left behind when a cherished person is gone. The protagonist reflects on the emptiness and despair they face, likening themselves to a tree without blossoms or a day without light. This song captures the poignant reality of missed connections and the haunting nature of memories that can’t be altered or erased.
The tango is rich in symbolism, using natural and existential imagery to convey loss and longing. The phrases “frío, de noche gris y sin estrellas” (cold, gray night without stars) and “quedé como un árbol sin flor” (I was left like a tree without bloom) vividly depict a bleak emotional landscape. Symbolically, the lost love is compared to a “descanso en mi camino” (rest on my path), suggesting that she was the only bright spot in an otherwise monotonous journey. The metaphor of “sueños de cristal” (crystal dreams) being shattered enhances the fragility and irretrievability of the protagonist’s hopes.
Created in Buenos Aires, Argentina, in 1947, “Y la perdi” reflects the rich tradition of tango as an expression of unfulfilled love and melancholy typical of post-war Argentine society. During this period, Buenos Aires was a cultural hub, and tango was a vital part of its social fabric. Tangos of this era often expressed the themes of nostalgia and loss, mirroring the societal shifts and personal disconnections of the post-war world.
Antonio Rodio was a renowned composer and violinist in Argentina, known for his contributions to tango music during the mid-20th century.