Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Volverás is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.
The lyrics of “Volverás” reveal a poignant narrative of remembrance and enduring love. The song captures the essence of a cherished memory, anchored in the melody that echoes from the past. It speaks of an undying love that time has not erased, manifesting a patient wait for a reunion. Each line is draped in nostalgia, yearning for the revival of a deep emotional connection that once illuminated the lives of two individuals.
“Volverás” interweaves profound symbolism throughout its verses. References to “la bruma al retornar, torna en claridad” symbolize a dissipating fog making way for clarity, akin to memories resurfacing vividly. This idea suggests a revival of past joys and truths once shared. The song uses auditory imagery linked to the divine, seen in “Si, te quiero, hasta el cielo,” stressing the profound depth and sanctity of the spoken love. These symbols enhance the lyric’s emotional intensity, stressing both the temporal span and the spiritual depth of the relationship.
“Volverás” was written in the post-war years of 1948, a period marked by significant transformation and rebound in Argentina. During this era, tango music often reflected deep-seated feelings of loss, nostalgia, and the hope of revival. The emphasis on memories and eventual reunion in “Volverás” possibly captures the broader societal sentiment of rebuilding and healing after the disruptions of the past decade. The tango thus serves not only as a personal plea for a lost love but also as a cultural beacon of reclaiming past glories and relationships.
Emilio Fresedo, an influential figure in the tango world, renowned for his poignant compositions which often touched on themes of love, loss, and Argentine identity.