Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Viejo baldío is a tango written by Víctor Lamanna and composed by Roberto Grela.
‘Viejo baldío,’ translating to ‘Old Vacant Lot,’ captures a nostalgic reflection on a humble, yet emotionally rich, childhood space within a neighborhood. This tango explores the depth of memories associated with a seemingly mundane place, suffused with the innocence and dreams of childhood. The lyrics depict a physical and sentimental journey through a long-lost neighborhood, emphasizing both the physical spaces—like the old houses, the corner, and the pond—and the emotional landscapes of yesteryear’s games and youthful dreams.
The vacant lot serves as a profound symbol of neglected or lost aspects of one’s past. It stands for a repository of childhood memories and lost time—an empty space filled with the echoes of laughter and faded dreams. The tango employs vivid symbols like ‘el viejo farolito’ (the old street lamp) and ‘la calesita’ (the merry-go-round), which not only illustrate scenes from an Argentine neighborhood but also reflect on how life’s fleeting joys and sorrows are illuminated and relived through memory. Graphic descriptors such as rain in the eyes (‘me llueve en los ojos’) symbolize tears and deep emotional nostalgia for the past.
Recorded in 1968, a period of significant social and political turmoil in Argentina, ‘Viejo baldío’ extends beyond personal nostalgia to perhaps echo a collective longing for simpler, more innocent times. This tango, emerging amid societal change, resonates with the wider public’s emotions, using the individual story of a neighborhood’s lost time and space to mirror a broader sense of communal loss or transformation.
Víctor Lamanna was an Argentine tango lyricist known for his evocative and poignant storytelling through music.