Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Vieja volanta is a Tango written by Francisco Marino and composed by Ernesto de la Cruz.
“Vieja volanta” evokes a potent sensation of nostalgia and longing for the past. The lyrics paint a vivid picture of an old, hooded carriage that once gracefully rolled down Florida Street, eliciting admiration. The carriage, with its navy blue insides and a neatly embroidered initial on the cushion, symbolizes more than just a vehicle; it represents a cherished era that has since passed. Francisco Marino captures the essence of a bygone era, drawing on personal memories and collective nostalgia to portray a deeply emotional scene. The tango reflects on lost youth, elegance, and the inevitable passage of time.
The “vieja volanta” (old carriage) itself is a central symbol in this tango, representing the elegance and charm of a bygone era in Buenos Aires. The detailed description of the carriage’s appearance serves to immortalize its memory, transforming it into a vessel of the past’s glory. The “navy blue” color and the “initial well embroidered in the middle of the cushion,” point to a personal connection and pride, perhaps suggesting a family heirloom or a significant personal history attached to the carriage. This vivid imagery not only paints a picture of the past’s aesthetic but also suggests a deeper, emotional connection to those times, linking the carriage to ideas of tradition and heritage.
Recorded in 1944, “Vieja volanta” appeared during a time when Argentina was experiencing significant changes and nostalgia for the past was prevalent among its citizens. Post-World War II, Argentina was transitioning from its old traditions to more modern ways of life, reflecting the global shifts in culture and technology. The longing for the “vieja volanta” in the tango can be seen as a metaphor for society’s ambivalence towards these changes. Florida Street, mentioned in the lyrics, is a notable avenue in Buenos Aires known for its vibrant life and history, thus evoking a specific urban nostalgia within Argentine culture.
Francisco Marino was an esteemed Argentine tango lyricist, whose works often reflected deep emotional narratives interwoven with Argentine culture and social history.