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Vida mía

Vida mía is a Tango written by Osvaldo Fresedo and recorded by Quinteto Real (Horacio Salgán) in 1964. Quinteto Real (Horacio Salgán) has recorded Vida mía as an instrumental Tango.
“Vida mía,” meaning “My Life” in English, captures the essence of deep, soulful connection that pulses through the melodies of this heartfelt piece. It speaks of a cherished bond, where every note plays like a shared heartbeat between souls entwined by destiny. This music echoes the longing and tenderness found in life’s most intimate moments, a timeless dance of love and existence.

Tango

Style

Quinteto Real (Horacio Salgán)

Orchestra

Instrumental

Singer

Emilio Fresedo

Author

Osvaldo Fresedo

Composer

1964/1/1

Date

Instrumental
Instrumental
Quinteto Real (Horacio Salgán)
Quinteto Real (Horacio Salgán)

Discover Other Orchestras

Horacio Salgán Y Dante Amicarelli – Zamba de Vargas – 1970/1/1
Horacio Salgán Y Dante Amicarelli – El bosque mágico – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Tu romanza – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Cuarteto Típico Roberto Firpo – Pálida sombra – 1937/3/27
Cuarteto Típico Roberto Firpo – El porteñito – 1951/11/7
Cuarteto Típico Roberto Firpo – Noche calurosa – 1944/9/11
Cuarteto Típico Roberto Firpo – Don Esteban – 1942/8/5
Cuarteto Típico Roberto Firpo – Champagne tango – 1946/9/25
Osmar Maderna – Inútil – 1947/2/20
Osmar Maderna – Don Juan – 1946/9/24
Osmar Maderna – El viejito calavera – 1946/1/1
Osmar Maderna – Una vez – 1946/10/31
Osmar Maderna – Gracias – 1946/10/31
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
Orquesta Símbolo Osmar Maderna – Mejor así – 1959/9/29
Orquesta Símbolo Osmar Maderna – Pa’ la guardia – 1959/6/30
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Vida mía recorded by other Orchestras

Vida mía recorded by other Orchestras

1964/1/1 – Enamorado estoy – Osvaldo Pugliese
1964/1/1 – La tablada – Rodolfo Biagi
1964/1/1 – Y a mi que – Rodolfo Biagi
1964/1/1 – Cafetin de Buenos Aires – Jose Basso
1964/1/1 – Cancion de Ave Maria – Jose Basso
Vida mia – 1933/9/13 – Osvaldo Fresedo – Roberto Ray
Vida mia – 1944/12/28 – Osvaldo Fresedo – Oscar Serpa
Vida mia – 1945/7/25 – Osvaldo Fresedo – Pedro Vargas
Vida mia – 1952/8/21 – Osvaldo Fresedo – Hector Pacheco
Vida mia – 1956/1/1 – Osvaldo Fresedo – Instrumental
Vida mia – 1974/4/3 – Alfredo De Angelis – Julian Rosales
Vida mia – 1970/4/16 – Florindo Sassone – Oscar Macri
Vida mia – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
Vida mia – 1967/1/1 – Horacio Salgan – Instrumental
Vida mia – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental

Letra del Tango Vida mía

Siempre igual es el camino

que ilumina y dora el sol…

Si parece que el destino

más lo alarga

para mi dolor.



Y este verde suelo,

donde crece el cardo,

lejos toca el cielo

cerca de mi amor…

Y de cuando en cuando un nido

para que lo envidie yo.



Vida mía, lejos más te quiero.

Vida mía, piensa en mi regreso,

Sé que el oro

no tendrá tus besos

Y es por eso que te quiero más.

Vida mía,

hasta apuro el aliento

acercando el momento

de acariciar felicidad.

Sos mi vida

y quisiera llevarte

a mi lado prendida

y así ahogar mi soledad.



Ya parece que la huella

va perdiendo su color

y saliendo las estrellas

dan al cielo

todo su esplendor.

Y de poco a poco

luces que titilan

dan severo tono

mientras huye el sol.

De esas luces que yo veo

ella una la encendió.

English lyrics of the Tango "Vida mía"

The path is always the same

lit and gilded by the sun…

It seems that destiny

stretches it even further

to deepen my pain.

And this green land,

where thistles grow,

touches the sky far away

close to my love…
And every so often a nest

for me to envy.

My life, from afar I love you more.
My life, think of my return,
I know that gold
won’t have your kisses
And that’s why I love you more.
My life,
I even hurry my breath
bringing closer the moment
to caress happiness.
You are my life
and I would like to take you
with me, clinging to my side
to drown my loneliness.

It seems that the trail
is losing its color,
and as the stars come out
they give the sky
all its splendor.
And bit by bit,
twinkling lights
cast a solemn tone
as the sun flees.
Of those lights that I see
she lit one.

Vida mía by Emilio Fresedo

Vida mía is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.



Story behind the Tango Vida mía

The lyics of “Vida mía” paint a vivid picture of longing and separation, imbued with a deep sense of personal reflection and emotion. The narrator describes a path consistently illuminated by the sun, yet paradoxically it seems extended by destiny to augment his sorrow. This portrays a journey that, despite being under the warm glow of hope (the sun), feels endlessly stretched by fate, amplifying his pain due to separation from his beloved.

The mention of the green ground where thistles grow introduces a contrast between the heights of his aspirations (the sky) and the grounded reality marked by pain (thistles). The sporadic nests that he envies underscore a yearning for a home or union that others achieve effortlessly, deepening his sense of isolation.



Symbolism of Vida mía

The recurring motifs of nature (sunlight, stars, green ground, thistles) in “Vida mía” serve as metaphors for life’s dualities—beauty and hardship, connection and loneliness. The song’s refrain, where the persona addresses his distant love as “Vida mía,” meaning “My Life” in English, emphasizes that she is his essential life force, his reason for existence despite the physical separation. This expression of endearment underscores the depth of his emotions, magnifying how integral she is to his existence. The anticipation of his return and the assertion that material wealth cannot equate to her kisses highlight a romantic idealism, stressing the purity of his affections over worldly desires.



Vida mía in historic Context

The creation of “Vida mía” in 1964 Argentina occurred during a period marked by political and social upheaval. In this context, the themes of longing, separation, and a hopeful return in the lyrics may echo the broader sentiments of displacement and yearning for stability felt by many Argentinians at the time. The tango, a dance inherently expressive of deep emotion and complexity, serves as a poignant medium for conveying such universal themes of human experience in the frame of personal love and separation.



Emilio Fresedo

Emilio Fresedo, alongside his brother Osvaldo Fresedo, played a significant role in the evolution of Tango music, bringing a refined touch that marked the Golden Age of Tango.