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Vamos

Vamos is a Tango written by Feliciano Brunelli and recorded by Carlos di Sarli in 1944. The Tango Vamos is written by Feliciano Brunelli, Carlos di Sarli has recorded Vamos with the singer Alberto Podestá.
“Vamos,” translated to English as “Let’s Go,” captures the essence of movement and anticipation. This vibrant piece embodies the spirit of adventure and the call to embrace the unknown, each note inviting the listener to step forward with courage. It is a musical journey, beckoning us to dance through life with open hearts and unwavering enthusiasm.

Tango

Style

Carlos di Sarli

Orchestra

Alberto Podestá

Singer

Rodolfo Sciammarella

Author

Feliciano Brunelli

Composer

1944/5/24

Date

Alberto Podestá
Alberto Podestá
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Rodolfo Biagi – Cielo – 1939/9/18
Rodolfo Biagi – Pájaro herido – 1941/10/7
Rodolfo Biagi – Levanta tu corazón – 1946/4/17
Rodolfo Biagi – Magdala – 1945/1/24
Rodolfo Biagi – Canaro – 1965/1/1
Quinteto Real (Horacio Salgán) – Felicia – 1960/1/1
Quinteto Real (Horacio Salgán) – Romance de barrio – 1960/1/1
Quinteto Real (Horacio Salgán) – El amanecer – 1964/1/1
Quinteto Real (Horacio Salgán) – Vida mía – 1964/1/1
Quinteto Real (Horacio Salgán) – A fuego lento – 1960/1/1
Ricardo Malerba – Guardia vieja – 1944/3/23
Ricardo Malerba – Palais de glace – 1944/9/8
Ricardo Malerba – Pasado florido – 1945/4/4
Ricardo Malerba – Sollozos – 1944/3/16
Ricardo Malerba – Mamita – 1943/4/12
Horacio Salgán – Un momento – 1953/5/20
Horacio Salgán – La cachila – 1957/7/17
Horacio Salgán – Al mundo el falta un tornillo – 1962/1/1
Horacio Salgán – Tierra querida – 1951/5/30
Horacio Salgán – La casita de mis viejos – 1969/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1944/5/24 – Llueve otra vez – Carlos di Sarli
1944/5/25 – El poncho del olvido – Angel d-Agostino
1944/5/26 – Su carta no llego – Angel d-Agostino
1944/5/30 – Sosiego en la noche – Rodolfo Biagi
1944/5/18 – Anoranzas – Ricardo Tanturi

Lyrics Translation of the Tango Vamos

This is the translation of the Tango “Vamos” from Spanish to English. The English lyrics of the Tango “Vamos” have been done with AI.

Letra del Tango Vamos

Del fondo de mis lágrimas
y penas, pido a Dios,
que escuche mi implorar
y mi lamentación.
Que alivie este sufrir
que hay en mi vivir.
Y pueda darme la resignación
de amor.

Con este sentimiento,
que se ha hecho una pasión,
no quiere comprender
mi pobre corazón,
que de seguir así,
tendremos que vivir
con la vergüenza
de una humillación.
Ayer te dije,
igual que hoy igual que siempre,
¡Vamos, vamos corazón!
Y no quisiste hacerme caso
y fue el fracaso
de estar llorando
para siempre tu ilusión.

Hoy no estarías corazón abandonado,
hoy no estarías corazón arrinconado
ayer te dije, igual que hoy,
igual que siempre,
¡Dejala y vamos, vamos corazón!

English lyrics of the Tango "Vamos"

From the depths of my tears and sorrows, I ask God, to hear my plea and my lamentation. To ease this suffering that exists in my life. And grant me the resignation of love.

With this feeling, that has turned into a passion, my poor heart does not want to understand, that if we continue like this, we’ll have to live with the shame of a humiliation. Yesterday I told you, just like today, just like always, Let’s go, let’s go heart! And you wouldn’t listen to me, and it was the failure of always crying for your illusion.

Today you wouldn’t be, abandoned heart, today you wouldn’t be, cornered heart, yesterday I told you, just like today, just like always, Leave it and let’s go, let’s go heart!

Vamos by Feliciano Brunelli

Vamos is a Tango written by and composed by Feliciano Brunelli.

Story behind the Tango Vamos

In “Vamos,” the storyteller weaves a narrative of deep personal pain and introspection, pleading for divine intervention amidst the sorrow and dissatisfaction that shadow their existence. The heart of the tango lies in an emotional struggle as the protagonist yearns for relief from passion-induced suffering. The narrative revolves around a poignant plea to the heart, urging it to abandon a fruitless attachment that only breeds humiliation. Despite repeated urgings to let go, resistance leads to enduring heartache and isolation.

Symbolism of Vamos

The lyrics employ evocative imagery and symbolic language to enhance the narrative’s emotional depth. The use of the phrase “Del fondo de mis lágrimas y penas” (From the depths of my tears and sorrows) symbolizes profound despair, reflecting the intense emotional core of the tango. The notion of a “pobre corazón” (poor heart) stands as a metaphor for vulnerability, illustrating the internal conflict against a passion that has become an unyielding force in the protagonist’s life. Key phrases such as “Vamos, vamos corazón” (Let’s go, let’s go heart) encapsulate the motif of urging movement away from unfulfilling love, a poignant plea for emotional self-preservation. This recurring line exemplifies the struggle against one’s emotional inertia, revealing a cycle of hope and disappointment.

Vamos in historic Context

Emerging in 1944, “Vamos” reflects a period in Buenos Aires saturated with rich cultural expressions, where the tango functioned as both a musical and emotional outlet during societal upheavals. The aftershocks of World War II and Argentina’s shifting political landscape imbue the tango with an introspective and, at times, melancholic tone, articulating the collective emotional burdens of its people. The melancholic nature of the lyrics resonates with a society seeking solace and determination in the face of hardships.

Author Background

Feliciano Brunelli was a renowned composer known for his evocative and emotive tangos that capture the essence of Argentine culture. His works continue to resonate within the nostalgic and passionate realms of traditional tango music.