Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Vamos, vamos, zaino viejo is a Tango written by Victorino Velázquez and composed by Fernando Tell.
The tango “Vamos, vamos, zaino viejo” paints a vivid picture of a solitary and melancholic life of a cart driver reflecting on his past as he journeys with his loyal old horse (‘zaino viejo’). The lyrics depict a life filled with sadness and solitude, underscored by memories of a once-loving heart — represented by the protagonist’s repeated longing for Maria Rosa and the routines they once shared. The recurring act of not having anyone to prepare ‘mate’ or to help with the horse highlights an acute sense of loneliness and loss.
This tango uses profound symbolism to deepen the emotional impact of its narrative. The ‘zaino viejo,’ or old bay horse, symbolizes resilience and shared hardship, embodying the passage of time and mutual aging of the protagonist and his horse. The acts of preparing ‘mate’ and caring for the horse represent companionship and routine, the lack of which emphasizes the protagonist’s solitude. The dog Chocolate stands as a remnant of better days, a sole companion in his current life of decay ‘among the ruins of the old corral’. The repeated phrase “Vamos, vamos”, which translates to “Let’s go, let’s go,” reflects a weary persistence in the face of unrelenting hardship.
Recorded in 1950, a tumultuous period in Argentine history marked by political and social unrest, “Vamos, vamos, zaino viejo” may resonate with the broader struggles of the Argentine people during this time. The weariness and endurance represented through the life of a solo cart driver could metaphorically mirror the nation’s own challenges. These years were characterized by significant change and uncertainty, akin to the long, lonely journey and fading traditions lamented in the tango.
Victorino Velázquez was a notable figure in Argentinian music, renowned for his contributions to the genre of tango. His works often reflect themes of nostalgia, love, and societal observations.
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