Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Vagabundo is a Tango written by Emilio Magaldi and composed by Pedro Noda.
“Vagabundo” translates to “vagabond” or “wanderer” in English, and fittingly, the lyrics of this tango delve deep into themes of disillusionment, pain, and resignation. It captures a narrative of a person reflecting on a life filled with past hopes and the harsh reality of their present. The repeated directory to laugh in the face of sorrow (“Ríete, muchacho!”) encapsulates a desperate clinging to resilience in a world of broken dreams.
The symbolism in “Vagabundo” is poignant, focusing on life’s contrasting light and shadows. The “bello sol” (beautiful sun) symbolizes happier times, which are transient and eventually overshadowed by “la falsa ilusión” (false illusion). The act of laughing and the references to madness (“Loco a mí todos me llaman”) are significant, suggesting a facade to mask deep inner turmoil. The mention of “mi buena madrecita” (my dear little mother) juxtaposes the personal tragedy with intimate, cherished memories, adding a layer of personal loss and nostalgia to the persona’s suffering.
The year 1931 was pivotal in Argentine history, marked by significant political upheaval and economic instability. This backdrop may have influenced “Vagabundo” by highlighting themes of disillusionment and disenchantment prevalent in society. It reflects the despair and cynicism of a generation witnessing widespread corruption and societal breakdown, mirrored in the poetic lament of lost innocence and personal crises that align with the societal chaos of the time.
Emilio Magaldi was a prolific tango lyricist, whose works often conveyed deep emotion and captured the complex socio-economic spirits of his time.