Fabrice Knecht Tango DJ

Uruguay

Uruguay is a Himno Olimpico written by and recorded by Edgardo Donato in 1930. Edgardo Donato has recorded Uruguay as an instrumental Himno Olimpico.
“Uruguay,” the name of this evocative piece, translates to “River of Painted Birds” in English. The melody dances like brushstrokes on a canvas, weaving stories of vibrant landscapes and sunlit shores. Each note is a winged whisper, a tribute to the untouched beauty and serenity of a land where art and nature embrace in an eternal tango.

Himno Olimpico

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

Composer

1930/1/1

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

Osvaldo Pugliese – Pregonera – 1961/10/1
Osvaldo Pugliese – Sensorial – 1971/1/1
Osvaldo Pugliese – Mi fuelle rezonga – 1954/12/13
Osvaldo Pugliese – A Evaristo Carriego – 1985/12/26
Osvaldo Pugliese – Gallo ciego – 1959/7/23
Edgardo Donato – Si te perdés chiflame – 1934/12/19
Edgardo Donato – El once glorioso – 1931/1/1
Edgardo Donato – Cuarenta entradas – 1931/1/1
Edgardo Donato – Volverás pero cuándo – 1940/1/11
Edgardo Donato – Abombada – 1934/2/9
Cuarteto Típico Roberto Firpo – Sábado inglés – 1940/4/25
Cuarteto Típico Roberto Firpo – Gran Hotel Victoria (Hotel Victoria) – 1948/8/13
Cuarteto Típico Roberto Firpo – El toto – 1944/9/11
Cuarteto Típico Roberto Firpo – Pálida sombra – 1937/3/27
Cuarteto Típico Roberto Firpo – Flor de suburbio – 1939/2/2
Francisco Canaro – Yo quiero tus besos – 1926/1/1
Francisco Canaro – Qué dirá mamá – 1925/1/1
Francisco Canaro – Barcelona – 1926/12/11
Francisco Canaro – El serrucho – 1924/1/1
Francisco Canaro – Arrepentida – 1924/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1930/1/1 – A la orilla de la mar – Edgardo Donato
1930/1/1 – Algun dia (2) – Edgardo Donato
1930/1/1 – Buena yunta – Edgardo Donato
1930/1/1 – Candombiando – Edgardo Donato
1930/1/1 – Che fayuto – Edgardo Donato

Uruguay recorded by Edgardo Donato


Uruguay is an instrumental Tango composed by .



Interpretation of Uruguay


The instrumental version of “Uruguay” by Edgardo Donato’s orchestra encapsulates the vibrant energy and spirited essence of the nation it represents. The music may open with a lively and passionate violin introduction, setting the tone for storytelling through sound. As the composition unfolds, the bandoneon might bring in a nostalgic yet invigorated melody, painting a soundscape reminiscent of Uruguay’s rich cultural tapestry.



The intertwined rhythms of the double bass and piano add depth and resonance, mimicking the ebb and flow of the Uruguayan coastlines. As the music progresses, a crescendo of brass instruments could symbolize the resilience and strength of its people, reverberating with pride and spirit. Finally, the piece might resolve with a flourish, leaving an impression of warmth and celebration, much like an invitation to dance.



Edgardo Donato and Uruguay


Edgardo Donato’s orchestra, celebrated for its contributions to the tango genre, brings this dynamic interpretation of “Uruguay” to life, first composed on January 1, 1930. Though Donato’s orchestra was known for its intricate and emotive performances, the absence of lyrics in this piece allows the listener to explore their own narratives through sound, highlighting the universal language of music.



This rendition captures the essence of Uruguayan culture and brings forth a timeless sense of identity and pride. Donato’s arrangement is a testament to the emotive power and versatility of tango music, connecting deeply with audiences both within Uruguay and beyond.