Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Una pena is a Tango written by Arturo Albert and composed by Adolfo Rosquellas.
“Una pena” translates to “A Sorrow” in English, which succinctly captures the essence of this tango. The lyrics poetically convey the sorrow and regret of unreciprocated love. The song’s narrator speaks of a deep, incurable sadness rooted in their first love, accentuated by vivid memories of enchanting eyes filled with “sweet witchcraft” that once offered hope in a fleeting moment of illusion. This deep emotional pain is further resonated as the singer requests solitude to better fantasize about the lost love, endure his suffering, and mourn his dashed hopes. The unapologetic rejection (“No”) from the loved one dramatically alters his life’s path, highlighting the devastating impact of doomed love.
The lyrics of “Una pena” are rich with symbolism. The “sangrante mordedura” (bleeding bite) metaphorically represents the lasting, painful impact of a broken heart. The eyes of the first love, repeatedly described with “sweet witchcraft,” symbolize an almost magical, irresistible allure, which deeply enchanted the narrator. The reference to the woman as a “Fresquito ramo de hermosura y gracia” (cool bunch of beauty and grace) suggests her appealing exterior, which hides her fickle and cold nature—much like flowers that appear beautiful but may mask thorns that can cause injury. This juxtaposition of beauty and hidden danger underscores the disillusionment and betrayal felt by the narrator.
Recorded in 1938, “Una pena” emerges from a period in Argentina known for its political instability and cultural vibrancy. The late 1930s were characterized by significant social changes and a flourishing of the arts, particularly in Buenos Aires where tango music often expressed the sentiments of the common people. The tango’s exploration of themes like unrequited love, disillusionment, and personal anguish mirrors the uncertainties and emotional trials faced during such tumultuous times. In this period, Tango was not just a dance but a narrative medium that conveyed deep emotional and societal narratives.
Arturo Albert was a lyricist known for his evocative tangos that often delved into themes of love, loss, and melancholy, remaining poignant reflections of human emotions and experiences.