Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Un lamento is a Tango written by Eugenio Cardenas and composed by Graciano De Leone.
The lyrics of “Un lamento” narrate the tale of a young woman, referred to as “percanta,” who is deeply heartbroken and desolate due to a failed love affair. She is depicted as a victim of deceit, having cherished an unattainable love. Throughout the song, her profound sadness and the consequences of her misplaced trust in a man who betrayed her are poignantly expressed. The melancholic tone of the Tango reflects her emotional turmoil and abiding desolation.
The tango heavily employs imagery and symbols to underscore the depth of the woman’s emotional suffering. Terms like “papusa” (cutie) and “milonguerita” (milongas attendee) not only add a local cultural flavor but also illustrate her youthful innocence and social milieu. Her predicament is symbolically represented by her living in a “little parlor, tiny,” which conveys her confined and sorrowful existence. The repeated reference to her dwelling signifies the isolation and loneliness as part of her hardship.
“Un lamento” was recorded in 1927, a period when Tango was undergoing significant transformation in Argentina from a dance of the lower classes to becoming a wider cultural phenomenon. This era also witnessed great European influence and heightened feelings of nostalgia and melancholia, which are vividly captured in this piece. The references to places like the “dark cabaret” hint at the nightlife of Buenos Aires, which was both a place of entertainment and sometimes a backdrop for more sordid or tragic personal stories.
Eugenio Cardenas was a prominent Argentine lyricist known for his poignant contributions to the Tango genre.