Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Un cambio te viene bien is a Tango written by Francisco Alfredo Marino and composed by Eladio Blanco.
“Un cambio te viene bien,” which translates to “A change will do you good,” reveals a life seemingly stuck in the throes of persistence and disappointment. The lyrics serve as a poignant narrative, focusing on a protagonist who’s been marginal in society, struggling with her self-image and social aspirations. The singer appears to be advising or narrating her story, suggesting she alters her way of life to break free from the chains of stagnant existence and unfulfilled dreams.
The lyrics of the song are rich in local slang and imagery that paint a vivid picture of the protagonist’s life. Terms such as “Poligriya,” an Argentine slang for a woman with a rough life, and visual metaphors like “la cara como un retazo” (face like a cloth remnant) suggest a life of hardship and wear. The continuous reference to ‘chitrula’, another local slang term for a foolish or naive person, deepens the emphasis on her oblivious persistence in error. The overall theme of change is symbolized by the idea of relinquishing old dreams and making practical, beneficial shifts in lifestyle.
Produced in Argentina in 1949, just after the popular rise of Juan Perón, the Tango might echo the socio-political atmosphere of the time. During this period, Argentine society was undergoing significant changes, with a new focus on the working class and social justice. “Un cambio te viene bien” resonates well with the spirit of transformation and empowerment prevalent during this era, suggesting that personal revolution might parallel the larger societal shifts happening in the country.
Francisco Alfredo Marino was a notable figure in the Argentine tango scene, known for his deep and insightful lyrics that often reflected the societal standards and human emotions of his time.
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