Fabrice Knecht Tango DJ

Tucumán

Tucumán is a Tango written by José Luis Padula and recorded by Juan D’Arienzo in 1950. Juan D’Arienzo has recorded Tucumán as an instrumental Tango.
“Tucumán,” translated to English as “I am Tucumán,” carries the vibrant essence of its Argentine roots. It whispers tales of sunlit sugarcane fields and the haunting echoes of Andean winds, each note a tribute to the land’s storied past. Through its rhythms, the piece captures both the resilience and grace of a place where history dances with the present.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

José Luis Padula

Composer

1950/9/28

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Francini-Pontier – Trapitos – 1946/5/17
Francini-Pontier – Una carta para Italia – 1948/3/24
Francini-Pontier – Derecho viejo – 1953/10/23
Francini-Pontier – Cuartito azul – 1955/6/13
Francini-Pontier – Viejo smoking – 1952/12/12
Alfredo Gobbi – Adiós corazón – 1958/4/17
Alfredo Gobbi – Barcarola triste – 1947/11/4
Alfredo Gobbi – Como las margaritas – 1952/4/3
Alfredo Gobbi – Amémonos – 1948/1/31
Alfredo Gobbi – Garabatos de mujer – 1958/4/17
Florindo Sassone – El irresistible – 1966/1/1
Florindo Sassone – El Incendio – 1974/1/1
Florindo Sassone – Testamento de arrabal – 1951/5/30
Florindo Sassone – La piel de Buenos Aires – 1979/1/1
Florindo Sassone – Como los nardos en flor – 1963/11/21
Roberto Firpo – Al volver de madrugada – 1944/4/21
Roberto Firpo – Mujer (2) – 1930/9/22
Roberto Firpo – La muchacha (La muchacha del arrabal) – 1927/8/6
Roberto Firpo – La violetera – 1926/11/8
Roberto Firpo – Boquita de ángel – 1927/8/2

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Tucumán recorded by other Orchestras

Tucumán recorded by other Orchestras

1950/9/28 – Precio – Juan D-Arienzo
1950/9/28 – Don Juan Mondiola – Juan D-Arienzo
1950/9/28 – Un tango para mi vieja – Juan D-Arienzo
1950/9/28 – Sin balurdo – Juan D-Arienzo
1950/9/22 – Nunca te podre olvidar – Alfredo De Angelis
Tucuman – 1940/6/27 – Juan D-Arienzo – Instrumental
Tucuman – 1950/9/28 – Juan D-Arienzo – Instrumental

Tucumán recorded by Juan D’Arienzo

Tucumán is an instrumental Tango composed by José Luis Padula.

Interpretation of Tucumán

As an instrumental piece performed by the illustrious Tango Orchestra Juan D’Arienzo, “Tucumán” embodies the vibrant and spirited essence of the Argentine province it is named after. The music captures the bustling life and rich culture of Tucumán through its dynamic rhythms and emotive melodies. The piece oscillates between moments of intense passion, marked by swift violin strokes and percussive piano chords, and more serene passages, where the bandoneon’s soulful notes lend an air of wistfulness. The interplay of these elements paints a sonic landscape that mirrors the diverse charms of Tucumán, from its colonial history to its natural beauty.

Juan D’Arienzo and Tucumán

Known as “El Rey del Compás” (The King of the Beat), Juan D’Arienzo’s rendition of “Tucumán” injects his trademark energetic style into the tango. D’Arienzo’s orchestra brings a sense of vitality and liveliness to the piece, making it resonate with audiences longing for the traditional tango feel. His interpretation drives the tempo with an invigorating pace while maintaining the danceable quality that defines D’Arienzo’s legendary approach to tango music. This performance ensures “Tucumán” holds a special place in the repertoire of Argentine music, blending tradition with the maestro’s unique vigor.