Fabrice Knecht Tango DJ

Tucumán

Tucumán is a Tango written by José Luis Padula and recorded by Juan D’Arienzo in 1940. Juan D’Arienzo has recorded Tucumán as an instrumental Tango.
“Tucumán,” meaning “Land of Abundance” in English, reverberates through each note like a vibrant mural of rhythm and history. This musical piece captures the rich spirit and fertile landscapes of its namesake, where endless possibilities and dreams cultivate like thriving orchards. Its melodies dance like the gentle winds over expansive fields, embracing the lush heritage and heartfelt traditions of a bountiful homeland.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

José Luis Padula

Composer

1940/6/27

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Carlos Gardel – Muñeca de carne – 1927/6/27
Carlos Gardel – Hola señorita – 1925/1/1
Carlos Gardel – Adiós que me voy llorando – 1917/1/1
Carlos Gardel – Sol tropical – 1935/3/20
Carlos Gardel – Reproche – 1928/1/14
Juan MAGLIO – Milonguero viejo – 1928/4/2
Pedro Laurenz – Orgullo criollo – 1968/12/1
Pedro Laurenz – Garúa – 1943/8/6
Pedro Laurenz – Berretín – 1968/12/1
Pedro Laurenz – Allá en el bajo – 1926/11/24
Pedro Laurenz – Amurado – 1968/12/1
Quinteto Real (Horacio Salgán) – Pobre gallo Bataraz – 1960/1/1
Quinteto Real (Horacio Salgán) – Vida mía – 1964/1/1
Quinteto Real (Horacio Salgán) – El amanecer – 1964/1/1
Quinteto Real (Horacio Salgán) – De puro guapo – 1964/1/1
Quinteto Real (Horacio Salgán) – Mal de amores – 1960/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Tucumán recorded by other Orchestras

Tucumán recorded by other Orchestras

1940/6/27 – Fibras – Juan D-Arienzo
1940/6/28 – Milonga de mi flor – Pedro Laurenz
1940/6/28 – Como dos extranos – Pedro Laurenz
1940/6/28 – Cantando se van las penas (2) – Rodolfo Biagi
1940/6/28 – Pinta orillera – Rodolfo Biagi
Tucuman – 1940/6/27 – Juan D-Arienzo – Instrumental
Tucuman – 1950/9/28 – Juan D-Arienzo – Instrumental

Tucumán recorded by Juan D’Arienzo

Tucumán is an instrumental Tango composed by José Luis Padula.

Interpretation of Tucumán

The piece “Tucumán,” as interpreted by the Tango Orchestra Juan D’Arienzo, evokes a vibrant tapestry of sound that mirrors the essence and dynamics of its namesake province in Argentina. The music progresses with rhythmic vigor, encapsulating the lively dance of life in Tucumán. The melody winds through the lush landscapes of the region, darting through the foothills of the Andes with a zestful energy. A complexity in the arrangement reflects the rich cultural heritage of the area, intertwining indigenous influences with the sway of European traditions.

Juan D’Arienzo and Tucumán

Juan D’Arienzo, known as ‘El Rey del Compás,’ infuses “Tucumán” with his signature style, marked by a brisk tempo and sharp, haunting phrases. Under his baton, the orchestra transforms the composition into a fiery dance of strings and piano, with the bandoneón leading the charge, embodying the spirited pulse of Tucumán. D’Arienzo’s interpretation is an homage to the provincial fervor, turning notes into an auditory feast that captures the listener with its relentless drive and inviting swing.