Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Trapo viejo is a Tango written by Benjamín Tagle Lara and composed by Pedro Noda.
“Trapo viejo,” which translates to “Old Rag” in English, narrates the solemn reminiscences of a once-revered man who now feels diminished and forgotten. The evocative phrase “Trapo viejo” itself symbolizes the protagonist’s self-view as worn-out and discarded, resonating deeply with themes of aging, loss of vigor, and nostalgia for the days of youthful strength. The lyrics poignantly capture the dissolution from a respected and formidable figure to someone confronting the inevitable shadows of obsolescence.
The tango is rich in symbolism and utilizes evocative language to deepen the emotional expression. The repeated line, “Yo soy Trapo Viejo,” is both a declaration and a lament, emphasizing the juxtaposition between the past and the current perception of the self. The transformation of the protagonist from “el guapo que fue” (the handsome one that was) to “Trapo Viejo” underscores a universal fear of irrelevance. The line “se mezcla entre cañas en un almacén” symbolizes the speaker mingling unnoticed, possibly in a tavern or storage place, enhancing feelings of fading into the forgotten backgrounds of life.
Written in 1952 by Benjamín Tagle Lara, “Trapo Viejo” offers a reflective view on individual transformations in post-war Argentina. During this period, cultural identities were shifting, with many individuals feeling displaced or left behind by rapid modernization and societal changes. The use of specific slang terms such as “guapo” (which historically referred to a tough or brave man) and “taitas” (an old Lunfardo term for boss or father) provides a connection to traditional Argentine values, which perhaps feel distant or nostalgic from the perspective of 1952.
Benjamín Tagle Lara was an Argentinian lyricist known for his contributions to tango. His lyrics often reflected societal norms and human emotions, capturing the essence of Argentine culture.