Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Traje de novia is a Tango written by Mariano de la Torre and composed by Antonio Varela.
The tango “Traje de novia” translates to “Bridal Gown” in English, capturing the essence of a poignant narrative of lost love and regret. The narrator mournfully recollects their past lover’s marriage to another, expressing a deep sorrow and yearning mixed with remorse for not appreciating the love they once had. This tango, with its melancholic tone and reflective lyrics, delves into themes of memory, loss, and the unrelenting pain of seeing a beloved in the arms of another.
The key symbol in this tango is the “Traje de novia,” or bridal gown, which represents purity, joy, and the beginning of a new chapter. However, for the narrator, this symbol turns into one of despair as it signifies what could have been theirs but is now lost. The white orange blossoms (“azahares blancos”) traditionally worn by brides, symbolize innocence and eternal love, further deepening the contrast between the celebrated love of the bride and the heartbreak of the narrator. These symbols interweave with the emotional lyrics to paint a vivid picture of contrast between the outer joy and the inner sorrow of the narrator.
“Traje de novia” was written in 1945, a period marked by the end of World War II and significant social and emotional upheaval. In Argentina, this era was filled with its own political and economic tensions. The nostalgic and emotional depth of the tango may reflect a broader societal longing for stability and the return to normalcy post-war. Tangos of this period often captured the common people’s struggles and emotions, serving as a form of emotional catharsis and societal commentary.
Mariano de la Torre was a notable figure in the tango world, contributing many emotionally charged songs that have resonated deeply with audiences.