Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tormento is a Tango written by Luis César Amadori and composed by Charlo.
“Tormento” unveils a narrative steeped in personal anguish and betrayal. The lyrics express the speaker’s torment over rumors of a loved one’s infidelity, questioning the truth behind the whispers of their discarded affection. This torment is not just about potential betrayal, but also about the destruction of what was most dear to the speaker—their cherished dreams and the love they had given unconditionally. The repeated pleas to the accused to deny the rumors underscore a desperate craving for reassurance, blurring the lines between needing the truth and fearing it.
The central theme of “Tormento” revolves around doubt and the pain of uncertainty in love. Symbolically, the repeated references to speaking and silence (“Quiero que ahora frente a frente/me digas francamente” and “que te suplico que no hables, que no me digas nada”) highlight the conflict between the need for truth and the fear of what that truth might reveal. This duality poses the eternal question of whether ignorance is bliss or a curse in matters of the heart. The mention of dignity, faith, and hope further deepens the emotional landscape, suggesting that these foundational beliefs are at stake in the speaker’s struggle.
Recorded in 1972, a period of political and social unrest in Argentina, “Tormento” reflects a broader theme of distrust and disillusionment. During this time, Argentina was undergoing significant socio-political changes, with shifts in government and public ideologies. This atmosphere of uncertainty and skepticism towards authoritative narratives may have seeped into personal relationships, echoing the themes of disbelief and betrayal in the lyrics of “Tormento.”
Luis César Amadori was an Argentine playwright and filmmaker, known for his significant contributions to the Argentine cultural scene.