Titina is a Foxtrot written by and recorded by Pedro Laurenz in 1925. Pedro Laurenz has recorded Titina as an instrumental Foxtrot.
“Titina,” a name that dances into English as “Little Tina,” evokes a world where every note is a delicate step, poised between laughter and longing. This name suggests a tender story, one of fleeting moments captured in the embrace of rhythm. It whispers of youthful nostalgia and the timeless elegance of a tango swaying under moonlit skies.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
“Titina” as performed by the Tango Orchestra Pedro Laurenz evokes a vivid dance, rich with emotion and expression, capturing the essence of tango’s passionate, rhythmic interplay. The name itself, “Titina”, suggests a certain lighthearted charm and flirtation, embodied in the playful melody and dynamic orchestration. The piece goes beyond its title to weave a complex tapestry of evocative musical narrative, inviting listeners to not only hear the story but to feel it echo through the depths of the dance floor. In English, “Titina” carries this enchantment, hinting at a beloved or cherished figure through its lively yet tender strains.
Pedro Laurenz and Titina
Pedro Laurenz, a renowned figure in the realm of tango music, skillfully harnessed his orchestra’s talents to bring “Titina” to life. His rendition of this instrumental piece demonstrates not only his mastery of the bandoneon and his deep understanding of the genre, but also his ability to infuse the composition with a unique personal touch. The orchestra’s interpretation of “Titina” is marked by its sophisticated arrangement, which balances intensity and subtlety, creating a captivating musical journey that has left a lasting impact on tango music enthusiasts.