Fabrice Knecht Tango DJ

Tinta verde

Tinta verde is a Tango written by Agustin Bardi and recorded by Carlos di Sarli in 1945. Carlos di Sarli has recorded Tinta verde as an instrumental Tango.
“Tinta Verde,” translating to “Green Ink,” is a mesmerizing tango that dances across the page with vibrant life. The name evokes the imagery of fresh beginnings, as if each note is penned with the lush vibrancy of spring leaves unfurling. In its melodies, the whispers of nature’s renewal entwine with the passionate embrace of every soulful step.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Agustin Bardi

Composer

1945/10/30

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Rodolfo Biagi – La tablada – 1964/1/1
Rodolfo Biagi – Deja el mundo como está – 1940/3/14
Rodolfo Biagi – Yo tengo un puñal – 1943/3/3
Rodolfo Biagi – Indiferencia – 1942/9/10
Rodolfo Biagi – Copas amigas y besos – 1945/2/6
Alfredo De Angelis – Tus besos fueron míos – 1952/11/14
Alfredo De Angelis – No le digas que la quiero – 1955/12/13
Alfredo De Angelis – Desagredecida – 1962/4/30
Alfredo De Angelis – Yo sé que te adoro – 1958/6/25
Alfredo De Angelis – Yo también carrero fui – 1946/12/13
Nuevo Quinteto Real (Horacio Salgán) – Gallo ciego – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Canaro en París – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – La cumparsita – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Don Agustin Bardi – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Vida mía – 1987/1/1
Quinteto Real (Horacio Salgán) – A la gran muñeca – 1964/1/1
Quinteto Real (Horacio Salgán) – Corralera – 1960/1/1
Quinteto Real (Horacio Salgán) – Julián – 1960/1/1
Quinteto Real (Horacio Salgán) – Buenos Aires – 1960/1/1
Quinteto Real (Horacio Salgán) – Ensueños – 1960/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Tinta verde recorded by other Orchestras

Tinta verde recorded by other Orchestras

1945/10/30 – Tu intimo secreto – Carlos di Sarli
1945/10/30 – Ivon – Alfredo De Angelis
1945/10/29 – Mentiras piadosas – Alfredo De Angelis
1945/11/2 – Ave de paso – Angel d-Agostino
1945/11/2 – De igual a igual – Angel d-Agostino
Tinta verde – 1938/3/7 – Anibal Troilo – Instrumental
Tinta verde – 1945/10/30 – Carlos di Sarli – Instrumental
Tinta verde – 1954/1/26 – Carlos di Sarli – Instrumental
Tinta verde – 1954/9/14 – Carlos di Sarli – Instrumental
Tinta verde – 1935/12/8 – Juan D-Arienzo – Instrumental
Tinta verde – 1967/11/14 – Juan D-Arienzo – Instrumental
Tinta verde – 1927/10/17 – Osvaldo Fresedo – Instrumental
Tinta verde – 1942/12/9 – Lucio Demare – Instrumental
Tinta verde – 1966/12/23 – Armando Pontier – Instrumental

Tinta verde recorded by Carlos di Sarli

Tinta verde is an instrumental Tango composed by Agustin Bardi.

Interpretation of Tinta verde

The title “Tinta verde” translates to “Green Ink” in English. As an instrumental tango piece, “Tinta verde” evokes imagery associated with the creative flow and the mysterious allure of the written word. The sound of Carlos di Sarli’s orchestra brings to life the swirling emotions often tied to tango — passion, nostalgia, and a touch of melancholy. The green ink metaphor reflects growth and freshness, suggesting a composition brimming with vitality and creativity. The performance employs compelling dynamics and rhythms characteristic of di Sarli’s style, weaving the notes into an intricate dance that mirrors the ebb and flow of ink on paper.

Carlos di Sarli and Tinta verde

Carlos di Sarli, known for his refined and sophisticated style, brings a distinct elegance to “Tinta verde.” His orchestra’s rendition of the piece showcases di Sarli’s ability to blend subtlety with expressive depth. The fluidity of the arrangement highlights the emotional spectrum embedded within the tango, while di Sarli’s nuanced piano work provides a rich, melodic anchor. As a maestro of tango, his interpretation of “Tinta verde” exemplifies the seamless harmony and rhythmic precision that define his contributions to the genre.