Fabrice Knecht Tango DJ

Tinta verde

Tinta verde is a Tango written by Agustin Bardi and recorded by Juan D’Arienzo in 1935. Juan D’Arienzo has recorded Tinta verde as an instrumental Tango.
“Tinta Verde,” or “Green Ink,” evokes a vivid imagery of life flourishing on a blank canvas. The green ink symbolizes nature’s renewal, an eternal spring captured in melody, where each note breathes new life. As the music unfolds, it dances like leaves in the wind, painting stories of growth, hope, and the endless cycle of creation.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Agustin Bardi

Composer

1935/12/8

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Horacio Salgán Y Dante Amicarelli – Scherzo – 1971/1/1
Horacio Salgán Y Dante Amicarelli – La sombra de tu sonrisa (The shadow of your smile) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – El bosque mágico – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Armando Pontier – Repuntando – 1956/4/13
Armando Pontier – Tabaco – 1963/1/1
Armando Pontier – Abuelito – 1957/8/29
Armando Pontier – Araca la cana – 1979/6/7
Armando Pontier – De gran copete – 1962/4/12
Cuarteto Típico Roberto Firpo – El internado – 1938/7/15
Cuarteto Típico Roberto Firpo – El repique – 1944/3/31
Cuarteto Típico Roberto Firpo – Noche calurosa – 1936/12/19
Cuarteto Típico Roberto Firpo – El amanecer – 1953/12/11
Cuarteto Típico Roberto Firpo – Didí – 1948/1/21
Francisco Rotundo – Serenata de candombes – 1948/12/14
Francisco Rotundo – Cómo le digo a la vieja – 1954/7/8
Francisco Rotundo – Siempre tu voz – 1955/5/2
Francisco Rotundo – Mala suerte – 1954/7/8
Francisco Rotundo – Un remordimiento – 1955/8/25

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Tinta verde recorded by other Orchestras

Tinta verde recorded by other Orchestras

1935/12/8 – Penas de amor – Juan D-Arienzo
1935/12/12 – Joaquina – Juan D-Arienzo
1935/12/12 – Pabellon de las rosas – Juan D-Arienzo
1935/12/13 – Es una antigua costumbre del sud (It-s an old southern custom) – Osvaldo Fresedo
1935/12/13 – No me pregunten por que – Osvaldo Fresedo
Tinta verde – 1938/3/7 – Anibal Troilo – Instrumental
Tinta verde – 1945/10/30 – Carlos di Sarli – Instrumental
Tinta verde – 1954/1/26 – Carlos di Sarli – Instrumental
Tinta verde – 1954/9/14 – Carlos di Sarli – Instrumental
Tinta verde – 1935/12/8 – Juan D-Arienzo – Instrumental
Tinta verde – 1967/11/14 – Juan D-Arienzo – Instrumental
Tinta verde – 1927/10/17 – Osvaldo Fresedo – Instrumental
Tinta verde – 1942/12/9 – Lucio Demare – Instrumental
Tinta verde – 1966/12/23 – Armando Pontier – Instrumental

Tinta verde recorded by Juan D’Arienzo

Tinta verde is an instrumental Tango composed by Agustin Bardi.

Interpretation of Tinta verde

“Tinta verde”, which translates to “Green Ink” in English, suggests a theme of creativity, renewal, and freshness. In the context of an instrumental tango, one might imagine the vivid interplay of different instruments painting a tapestry of vibrant emotions and movements, much like strokes of a pen delivering a fresh story. The piece likely carries a sense of lively dynamism, capturing the spirit of rebirth and vitality inherent in its title. The music might evoke the sensation of strolling through a bustling city street, with each note representing a new story, a new life being penned in the ‘green ink’ of the moment.

Juan D’Arienzo and Tinta verde

Juan D’Arienzo, often referred to as the “King of the Beat,” was known for his rhythmic style and energetic orchestration. His interpretation of “Tinta verde” would likely elevate this composition with a compelling rhythmic drive, enhancing its narrative through the precise, vibrant dialogue between strings and bandoneons. D’Arienzo might aim to capture the essence of transformation and vitality that resonates from Agustin Bardi’s composition, giving life to the ‘green ink’ as it leaps from the tango manuscript onto the stage, inviting dancers to interpret its story through movement.